For the above: those extracts give a wonderful example of implied 2-3 part counterpoint on a monodic instrument; really quite beautiful, and I use such an adjective rarely. Also of curiosity for me: it really is in C minor (A=440) - I expected a lower frequency, but I'm not complaining.
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Now try this (same performer, Bach cello suite N° 6 in D, Prélude), not at A=440 but somewhere around D = C# (sorry, can't be more precise):
http://www.youtube.com/watch?v=eXWhlmU448Y
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Originally posted by Quijote View PostFor the above: those extracts give a wonderful example of implied 2-3 part counterpoint on a monodic instrument; really quite beautiful, and I use such an adjective rarely. Also of curiosity for me: it really is in C minor (A=440) - I expected a lower frequency, but I'm not complaining.
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One more, if you don't mind : another Baroque specialist (HIP specialist) playing the prélude of Bach's cello suite in D major; this time it's Jaap Ter Linden (another cloggie, I'll have you know! Roehre take note). For this extract, you'll need to fast forward to 1'55.30" for the prelude, and this time it's a clear semitone lower than conventional pitch (i.e. D=C#). Please let me know what you all think. Here's the link:
http://www.youtube.com/watch?v=YWZ1vKjv0Eg
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Martinu:
Songs of the Czech Highlands (R3 iPlayer TtN)
-The Opening of the wells H.354 (1955)
-Legend of the Smoke from the Potato Fires H.360 (1956)
-Romance of the Dandelion H.364 (1957)
-Mikes of the Mountains H.375 (1959)
Saariaho:
Adrianna Songs (2006)
Mahler:
Symphony no.9
Orlando di Lasso
Musica Dei donum optima
Cantantibus organis
Domine Jesu Christe qui cognoscis
Ferdinando di Lasso:
Caecilia virgo
De Costeley:
Allon, gays bergeres
Mignonne, allons voir
De la Hèle:
Nonne Deo subiecta evit anima mea
Guerrero:
Dum aurora finem daret
Maillard:
Domine Jesu Christe, Pastor bone
Palestrina:
Dum aurora finem daret
Philips:
Cecilia virgo;
Cantantibus organis
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A change of register : here's a YouTube link to a piece for solo 'cello by Xenakis called 'KOTTOS', played by a (normally) rather good cellist called Rohan de Saram. Problem is that he offers a totally unconvincing performance of this work. I'll try to find a better performance, as this one does Xenakis no favours!
http://www.youtube.com/watch?v=lKDIQSyR4G0
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No, that will not do at all, the guy is simply 'playing through what is written', and is offering no interpretation at all. I would have said he's sight-reading, but more likely he read through the score a couple of days before playing here. Not impressed, because I know this work very well, and have heard it better played and in a way that transforms it into something worth listening to.
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Parac:
Symphony (1992) (R3 TtN iPlayer)
Arnic:
Wild Chase - symphonic poem (1958/’65)(R3 TtN iPlayer)
Lisinski
Vecer (Evening) - Symphonic Idyll (1850)(R3 TtN iPlayer)
Palestrina
Stabat Mater for 8 voices
Agnus Dei - super ut-re-mi-fa-sol-la (R3 TtN iPlayer)
Di Lasso:
Susanna Fayre(R3 TtN iPlayer)
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