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    #1

    What are you listening to now?

    Charles V, Holy Roman EmperorDuration: 58 minutes
    First broadcast:Sunday 13 April 2008.
    Charles V was undoubtedly the most powerful man in 16th Century Europe. He was also a notable patron of the arts, employing such musical luminaries as Pierre de la Rue, Thomas Crecquillon and Nicholas Gombert. In this programme, Catherine Bott traces his life through the music which he would have heard and with which he surrounded himself.



    Jacob Obrecht
    Salve crux arbor vitae: Prima Pars

    Performers: Dufay Consort, Gary Cooper (director)

    DERVORGUILLA, DRVCD 102, Track 14
    .
    Josquin des Prez
    Mille Regretz

    Performers: Nancy Knowles (flute, soprano), Frank Wallace (vihuela, baritone)

    CENTAUR, CRC 2109, Track 7
    .
    Josquin des Prez
    Guillaume se va Chaufer

    Performers: Nancy Knowles (flute, soprano), Frank Wallace (vihuela, baritone)

    CENTAUR, CRC 2109, Track 8
    .
    Marbrianus de Orto
    Lamentatio Jeremie Prophete: Incipit - Aleph, Beth, Ghimel

    Performers: Huelgas-Ensemble, Paul van Nevel (director)

    HARMONIA MUNDI, HMC 901682 1/6, Tracks 6-8
    .
    Cornelius Canis
    Chanson: Pour parvenir bon pied bon oeil

    Performers: Egidius Kwartet, Maria Luz Alvarez (soprano)

    ETCETERA, KTC 1239, Track 7
    .
    Nicolas Payen
    Chanson: Fringotes jeunes fillettes

    Performers: Egidius Kwartet, Maria Luz Alvarez (soprano)

    ETCETERA, KTC 1239, Track 19
    .
    Nicolas Gombert
    Tulerunt Dominum meum

    Performers: Oxford Camerata, Jeremy Summerly (conductor)

    NAXOS, 8.557732, Track 1
    .
    Antonio de Cabezón
    Un Gay Bergier

    Performer: Kimberly Marshall (organ)

    VALOIS, V 4645, Track 4
    .
    Orlande de Lassus
    Heroum soboles

    Performers: Chapelle du Roi, Alistair Dixon (director)

    SIGNUM, SIGCD 019, Track 16
    .
    Fernando de las Infantas
    Parce Mihi Domine

    Performers: Chapelle du Roi, Alistair Dixon (director)

    SIGNUM, SIGCD 019, Track 17
    .00:05

    Jacob Obrecht
    Salve crux arbor vitae: Prima Pars
    .00:14

    Josquin des Prez
    Mille Regretz
    .00:17

    Josquin des Prez
    Guillaume se va Chaufer
    .00:19

    Marbrianus de Orto
    Lamentatio Jeremie Prophete Incipit - Aleph, Beth, Ghimel



    http://www.bbc.co.uk/programmes/b009y4hs


    Last edited by Megan; 10-21-2012, 01:46 PM.
    ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’
    Tags: None
    #2
    Prokofiev - Symphonic suite 'The year 1941' and Symphony no.5
    'Man know thyself'

    Comment

      #3
      Prompted by another thread: Bach's Partita No. 1 in B flat.

      Comment

        #4
        This morning:

        Haydn: Symphony No. 88

        Last night:

        Bartok: The Wooden Prince

        Comment

          #5
          Listening to a deafening silence on the part of Roehre. Where is the fellow, should be back by now.

          Comment

            #6
            Originally posted by Michael View Post
            Prompted by another thread: Bach's Partita No. 1 in B flat.
            A joy! The Jig is unlike any other he wrote and is frequently played too fast.
            'Man know thyself'

            Comment

              #7
              Originally posted by Quijote View Post
              Listening to a deafening silence on the part of Roehre. Where is the fellow, should be back by now.
              Yes he's had his 4'33
              'Man know thyself'

              Comment

                #8
                Originally posted by Peter View Post
                A joy! The Jig is unlike any other he wrote and is frequently played too fast.
                Jig? Surely you mean ... ah! ... this could be a pointer to your devious mind in the up-coming CM Teasers, no?

                Comment

                  #9
                  Originally posted by Peter View Post
                  A joy! The Jig is unlike any other he wrote and is frequently played too fast.
                  How fast should one take a Gigue? Should we keep to a "danceable" pace? Probably! But then again, back in those days maybe they danced differently!

                  Comment

                    #10
                    Originally posted by Quijote View Post
                    How fast should one take a Gigue? Should we keep to a "danceable" pace? Probably! But then again, back in those days maybe they danced differently!
                    Perhaps that depends on the age of the person dancing?

                    Comment

                      #11
                      Originally posted by Sorrano View Post
                      Perhaps that depends on the age of the person dancing?
                      Precisely! Gigue becomes dirge after the age of 50 !!!!!

                      Comment

                        #12
                        Originally posted by Quijote View Post
                        How fast should one take a Gigue? Should we keep to a "danceable" pace? Probably! But then again, back in those days maybe they danced differently!
                        Maybe, but as I mentioned this one is quite different from the norm being in common time.
                        'Man know thyself'

                        Comment

                          #13
                          Originally posted by Peter View Post
                          Maybe, but as I mentioned this one is quite different from the norm being in common time.
                          Not being in compound time perhaps Bach had laid off the booze for that one.

                          Comment

                            #14
                            Originally posted by Peter View Post
                            A joy! The Jig is unlike any other he wrote and is frequently played too fast.
                            Being Irish, no Jig is too fast for me!

                            Comment

                              #15
                              Franz Berwald
                              Sinfonie singuliere (Symphony no.3) in C major


                              Wolfgang Amadeus Mozart
                              Piano Concerto No 17 in G (K453)


                              Alban Berg
                              Violin Concerto - 'To the Memory of an Angel'



                              Anton Bruckner
                              Symphony No.9 in D minor


                              Last edited by Megan; 10-23-2012, 05:41 PM.
                              ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

                              Comment

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