I don't find these pieces unpleasant, Quijote, but it does feel like they are meant to be the score of a movie or something that I am not watching. As if they are meant to accompany some kind of action.
I don't find these pieces unpleasant, Quijote, but it does feel like they are meant to be the score of a movie or something that I am not watching. As if they are meant to accompany some kind of action.
Fair enough.
I found the pianist's analysis interesting:
I've been listening to some YouTube videos of excerpts from Bruckner and Mahler Symphonies, usually the last several minutes of given symphony. (I did, finally, go to my own CD set of the Jochum collection and listen to Bruckner's 4th in its entirety.) I like to look at the comments and one in particularly stood out: "Too bad Bruckner didn't use more brass."
One of the most moving pieces of music I know is this song which formerly was attributed to Handel, but actually was written about only 100 years ago. Here sung by one of my favourite singers Aafje Heynis and with the moving pictures of the liberation of the Netherlands which we so much wish also for the Ukraine: https://youtu.be/YWc3li358v0
One of the most moving pieces of music I know is this song which formerly was attributed to Handel, but actually was written about only 100 years ago. Here sung by one of my favourite singers Aafje Heynis and with the moving pictures of the liberation of the Netherlands which we so much wish also for the Ukraine: https://youtu.be/YWc3li358v0
Quite lovely, thank you - didn't know this piece, yet you can understand the Handel attribution and I see it is still attributed to him by many!
This is a weird and wonderful one, Beethoven's own transcription of his violin concerto for piano.
For a so-called "piano concerto", it's an oddity. What's your take on it?
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