Originally posted by Michael
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You speak absolute truth!! This analysis of the final movement of Symphony 41 provides a clue as to why this is the case:
https://www.youtube.com/watch?v=YTxYykhQZbI
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Originally posted by Schenkerian View PostBerlin Philharmonic/Petrenko version of Tchaikovksy's Symphony No. 6. Really this old warhorse had tired me years ago but I recently heard it reinvigorated with the phenomenal playing of the Berliners and conducting of Petrenko. It is thrilling, drama-packed and tremendously moving; can't believe it is the same symphony!! Just a taste:
https://www.youtube.com/watch?v=_yqKIawD0q4
WHAT AN ORCHESTRA!!!!!!!!!!
https://www.youtube.com/watch?v=tLRfRsEBTpM
That is with Abaddo and the Simon Bolivar Youth orchestra.
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Originally posted by Quijote View PostCheck out this wonderful Bach Canon a [sic] 2 Cancrizans (BWV 1079-4). Love it for its lack of obstrusive vibrato. Also a simple but beautiful subject (rising B minor triad, falling diminished 7th from G to A#, back up to F# followed by a descending chromatic line to a perfect cadence) that would be great for an elementary dictation exercise.
https://www.bachvereniging.nl/en/bwv/bwv-1079-4/
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This thread is for posting about serious music that you are listening to. Thanks. - ChrisA music engineering helps to produce a recording or a live performance, balancing and adjusting sound
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Originally posted by Schenkerian View PostBeethoven: Piano Sonata No. 4 in E Flat, Op 7. The earliest great sonata, IMO, and one I absolutely cherish. We're so spoilt for choice, really, aren't we!!! Particularly in this repertoire.'Man know thyself'
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Originally posted by Schenkerian View Post
Did you know that this fine Quartet is disbanding after 45 years? I have quite a few recordings of theirs, fortunately.
'Man know thyself'
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The Mendelssohn Trio you've posted is one of my favourite pieces. Also, the "Lieder ohne Worte" is a special love and one which inhabits a Schumann sound world:
https://www.youtube.com/watch?v=8LG7mdOy4D8
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I've been listening to a selection of the Diabelli Variations recently, in particular to variations XX and XXXII.
These are the only variations in cut common time (the C symbol in the time signature with a vertical slash through it).
In the score I have (Kalmus), variation XX has a double time signature of 6/4 and cut common time. Is that a printing error?
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Poulenc "Dialogues des Carmelites" - excerpt. This is an absolute gem from this wonderful opera:
https://www.youtube.com/watch?v=__sJ...rv=eSFBU9kn1ds
I'm having to listen to my own CD collection in any form I can via the internet as we're moving house and everything - books, CDs, DVDs and scores - are all packed away in plastic tubs. The new build won't be finished until late January but our existing home went on the market today; the agent said, "remove ALL CLUTTER". So, my precious cultural artifacts are 'clutter' which may deter a buyer. (People style homes now for sale!). Thank god for the internet so I can still stay in touch with my music, at least. Anyway, my pictures of composers remain on the walls of my music room; some things just are NON-NEGOTIABLE.
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