Anyone who, like me, feels that recordings of these works lean a little too much on the sentimental (romantic) side may like to try out a new authentic instrument recording on the Sony Classics lable by Jos van Immerseel (fp) Anner Bylsma (vc) and Vera Beths (vn). With op97 the tempi are a little tighter than we are generally used to, which tend to be a little too moderate with the moderato movements (i and iv) and the scherzo also.
With op70/1 the first and last movements, which due to their compessed nature can sound a little overbearing played traditionally, gain some clarity from the leaner textured period instruments. The slow movement is played much quicker than normal, which benefits the melodic line - this movement is usually pushed too far for me regarding tempo. The work as a whole I believe works better as a homogeneous unit with a quicker Largo. Otherwise movements i and iii become merely prologue and afterthought. Of course others may differ regarding the above points...
Rod
With op70/1 the first and last movements, which due to their compessed nature can sound a little overbearing played traditionally, gain some clarity from the leaner textured period instruments. The slow movement is played much quicker than normal, which benefits the melodic line - this movement is usually pushed too far for me regarding tempo. The work as a whole I believe works better as a homogeneous unit with a quicker Largo. Otherwise movements i and iii become merely prologue and afterthought. Of course others may differ regarding the above points...
Rod
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