In 1805 Beethoven's 3rd Symphony, The Eroica, has it's first performance in Vienna. Here's a quote to ponder:
"I'd give another kreutzer if they would stop!" That was the reported response of one weary listener at the 1805 premiere of Beethoven's Third Symphony. It was not, apparently, a comment upon the work's quality, but rather upon its length and perhaps its power, which took many people by surprise, for this composition was highly unusual in both conception and execution. Three years earlier, the composer had declared, "I am not contented with my works so far. Henceforth I shall take a new path," and here, for the first time, he kept his promise. He broke from the mold of Mozart and Haydn to produce a grand symphony, a daring and dramatic work, stunning in its epic scope and emotional impact. Audiences which had become accustomed to the image of music being purely for entertainment suddenly faced a radical new idea, that like a literary masterpiece, a symphony could present its creator's image of the world."
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'Truth and beauty joined'
"I'd give another kreutzer if they would stop!" That was the reported response of one weary listener at the 1805 premiere of Beethoven's Third Symphony. It was not, apparently, a comment upon the work's quality, but rather upon its length and perhaps its power, which took many people by surprise, for this composition was highly unusual in both conception and execution. Three years earlier, the composer had declared, "I am not contented with my works so far. Henceforth I shall take a new path," and here, for the first time, he kept his promise. He broke from the mold of Mozart and Haydn to produce a grand symphony, a daring and dramatic work, stunning in its epic scope and emotional impact. Audiences which had become accustomed to the image of music being purely for entertainment suddenly faced a radical new idea, that like a literary masterpiece, a symphony could present its creator's image of the world."
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'Truth and beauty joined'
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