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  • Peter
    replied
    Originally posted by Bonn1827 View Post
    Tonight I'm starting to re-read Tolstoy's "Anna Karenina", following a discussion on a televised "Book Show". I haven't touched it since post-graduate studies but my son, aged 34, thinks this the most wonderful book ever written and has read it twice. I look forward to a long, possibly intermittent, journey with this one...
    I'm also reading Tolstoy - 'A confession' in which he renounces his past works, especially Anna Karenina!! Actually I also very much enjoyed the novel, certainly brilliant, but I still prefer War and Peace.

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  • Bonn1827
    replied
    Tonight I'm starting to re-read Tolstoy's "Anna Karenina", following a discussion on a televised "Book Show". I haven't touched it since post-graduate studies but my son, aged 34, thinks this the most wonderful book ever written and has read it twice. I look forward to a long, possibly intermittent, journey with this one...

    Leave a comment:


  • Quijote
    replied
    An interesting artricle here for those that place great store in "hardware" (Bechstein, Steinway, Yamaha, Stradivarius, etc.).
    http://www.guardian.co.uk/music/2010...ri-violin-sale

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  • Quijote
    replied
    Originally posted by Peter View Post
    Oh earlier Philip - I seconded Pushkin's duel, I thought you knew?!
    I had rather imagined you were challenged to "pistols at dawn" by Hanslick himself after you had been slightly heretical about Brahms.

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  • Peter
    replied
    Originally posted by Philip View Post
    Pistols at dawn? I never realised you were so old, Peter. Mid-to-late 19th century?
    Oh earlier Philip - I seconded Pushkin's duel, I thought you knew?!

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  • Quijote
    replied
    Originally posted by Peter View Post
    [...] I once had such scorn poured on my essay 'Brahms, the German master' in which I sought to prove he was not THE German master that it nearly resulted in pistols at dawn - looking back I realise I took things a bit too seriously in those days!!
    Pistols at dawn? I never realised you were so old, Peter. Mid-to-late 19th century?

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  • Peter
    replied
    Originally posted by Philip View Post
    Seems we have yet another aspect in common - I have always greatly admired Hardy's novels. I do not say "great minds think alike", but maybe "birds of the same feather flock together", which is why we enjoy sparring with each other (as certain birds do tend to "peck each other" when in confined spaces).
    For me, the two novels I particularly like are "Far From the Madding Crowd" and "Jude the Obscure". There was a great film made of "Far from the Madding Crowd" starring Alan Bates and Julie Christie, with excellent music by Richard Rodney Bennett (not sure of the spelling, here). If ever I need a quick example of what "pastoral" means in music RRB would be my choice (after LvB, of course).
    At school I had to study Hardy for my A-level English exam, plus TS Elliot (yawn, can't remember the work, something to do with God) and the "Terrible Sonnets" of Gerald Manley Hopkins. I remember writing an excellent essay that tried to link GMH's "Terrible Sonnets" with LvB's late string quartets, but the teacher gave me a poor mark for my insights. The curse I laid on him still stands today...
    I knew behind that ultra-modernist cubist concrete facade lurked an old fashioned Romantic yearning to burst out!! Yes the Alan Bates/Julie Christie is one of my favourite films - (forget the ghastly modern remake - why do they bother?). You're not alone in having your 'excellent essay' rewarded by a complete lack of recognition of genius - I once had such scorn poured on my essay 'Brahms, the German master' in which I sought to prove he was not THE German master that it nearly resulted in pistols at dawn - looking back I realise I took things a bit too seriously in those days!!

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  • Quijote
    replied
    Originally posted by Peter View Post
    Thomas Hardy's 'Return of the native'.
    Seems we have yet another aspect in common - I have always greatly admired Hardy's novels. I do not say "great minds think alike", but maybe "birds of the same feather flock together", which is why we enjoy sparring with each other (as certain birds do tend to "peck each other" when in confined spaces).
    For me, the two novels I particularly like are "Far From the Madding Crowd" and "Jude the Obscure". There was a great film made of "Far from the Madding Crowd" starring Alan Bates and Julie Christie, with excellent music by Richard Rodney Bennett (not sure of the spelling, here). If ever I need a quick example of what "pastoral" means in music RRB would be my choice (after LvB, of course).
    At school I had to study Hardy for my A-level English exam, plus TS Elliot (yawn, can't remember the work, something to do with God) and the "Terrible Sonnets" of Gerald Manley Hopkins. I remember writing an excellent essay that tried to link GMH's "Terrible Sonnets" with LvB's late string quartets, but the teacher gave me a poor mark for my insights. The curse I laid on him still stands today...
    Last edited by Quijote; 07-03-2010, 02:55 PM. Reason: Beware the curse of Philip, drama Queen par excellence

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  • Peter
    replied
    Thomas Hardy's 'Return of the native'.

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  • Sorrano
    replied
    Originally posted by Philip View Post
    Admit it Sorrano, you are that anonymous composer mentioned in the article, aren't you?
    You would not be alone in that presumption.

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  • Quijote
    replied
    Again, a fine piece of football journalism. For the football fans on this forum, read it closely and reflect :
    http://www.guardian.co.uk/football/b...-fabio-capello

    Anyway, now that the Germans have crushed us (I mean you, the English, damned-Albion and all that) yet again, I am happy to relate that I have ditched my English flag (thank you, Dad) and switched to my mother's, Spain. So hard to be bi-national. And I don't really mind who wins or loses, but please Ludwig, let it not be Holland. Roehre loves me, really he does.

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  • Quijote
    replied
    Actually, this new concerto even "out-minimalises" LaMonte Young's famous early 1960s minimalist piece (the title escapes me for the moment) for Hammond organ. The performer's score bears only two notes (B and F-sharp / perfect 5th) with the instruction : to be held for a very long time.

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  • Quijote
    replied
    Originally posted by Sorrano View Post
    That's pretty funny!
    Admit it Sorrano, you are that anonymous composer mentioned in the article, aren't you?

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  • Bonn1827
    replied
    Our soon-to-be-ex Prime Minister was described in parliament this week as "a human Vuvuzela"!!! Love it!!

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  • Sorrano
    replied
    Originally posted by Philip View Post
    Here's what I have just read (a new concerto in B-flat for football fans) :
    http://www.guardian.co.uk/music/2010...uzela-concerto

    Dig the quote from Chaucer in this article : "As Chaucer rightly said, 'Vile brass emanating from the Devil's arse.'"
    That's pretty funny!

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