Opus 127, 130, 131, 132, and 135. Circa 1822-1826. A lot of different opinions has been said of these great works. Some flattering, some not. "unintelligible and shapeless" are some words used to describe them and on the other side, "exquisitely and logically constructed and finished to the highest degree". What do you all think of these complicated and unique works?
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The Last String Quartets
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Originally posted by mspaceray:
When I first heard these I couldn't help but wonder how LVB's contemporary audience might have reacted to them,I think they must have
been astounded.These works take more than one listen to really appreciate.
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'Man know thyself''Man know thyself'
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Originally posted by mspaceray:
When I first heard these I couldn't help but wonder how LVB's contemporary audience might have reacted to them,I think they must have been astounded.These works take more than one listen to really appreciate.
Reported by Holz. B thought this the crown of all quartet movements and one of his favourite compositions.
It's also interesting that this was written during the summer of 1825, when B’s relationship with his nephew Karl was particularly painful. Holz declared that ’the Cavatina was composed amid tears of grief; never had his music reached such a pitch of expressiveness, and the very memory of this piece used to bring tears to his eyes'.
'Truth and beauty joined'
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Originally posted by Joy:
Opus 127, 130, 131, 132, and 135. Circa 1822-1826. A lot of different opinions has been said of these great works. Some flattering, some not. "unintelligible and shapeless" are some words used to describe them and on the other side, "exquisitely and logically constructed and finished to the highest degree". What do you all think of these complicated and unique works?
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"If I were but of noble birth..." - Rod Corkin
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Originally posted by Joy:
Opus 127, 130, 131, 132, and 135. Circa 1822-1826. A lot of different opinions has been said of these great works. Some flattering, some not. "unintelligible and shapeless" are some words used to describe them and on the other side, "exquisitely and logically constructed and finished to the highest degree". What do you all think of these complicated and unique works?
My real introduction to these quartets came with the performance of the slow movement of either the last or the penultimate (I can't recall which it was). This was one of my most profound experiences with any of Beethoven's music; I was so deeply moved by it.
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Originally posted by Rod:
Tchaikovsky saw in these late quartets "glimmers and nothing more...the rest is chaos". I like being given the opportunity to resurrect this particular quote!
Deaf to the barren tumult of the outer world, he opens up his ear to the life within.
"He sees the world with eyes that are as clear as ever. But he is not afraid to draw aside the curtain that viels the abyss.
He knows no fear of 'chaos' out of which matter is made form, because he is aware of his power to give form to all that his eyes have seen"
- Walter Riezler, on BEETHOVEN.
[This message has been edited by lysander (edited April 29, 2003).]
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