It is indeed auspicious that Beethoven's paramount composition, the ne plus ultra of extended symphonic form and assumed musical standardbearer of humankind, was his Ninth Symphony. His final word on the limits of Classical compositional method and the possibility afforded the new realm of existential composition is the peak by which all others must and forevermore compare by. No matter what the details are, to spend years and years contemplating putting celebratory lyrics to music was not a simple matter of "making music". If B. wanted to, he could've written off a lieder in a week to Schiller's words. He could've taken any number of opportunities to write those lyrics into a song cycle, opera, oratorio, or whatever, but he didn't. He wanted to do those words justice. Finally, he was able to do so-- to a melody so simple and elemental it spanned no more than FIVE NOTES, yet so heart-wrenchingly elated and gorgeous that its immortality was instantly assured. To say that Beethoven was a cynic or misanthrope is placing the bitterest punishment on an artist who did more to make his art speak to the audience for a REASON than any other I know. The full reason I have come to this idea is long and complex (something I'm willing to share if anyone cares to read it), but in my mind I know for a fact Ludwig was a universalist, a humanist. To assume less would be an insult.
p.s. please don't think I'm pontificating; I believe every last word I've just written.
p.s. please don't think I'm pontificating; I believe every last word I've just written.
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