Originally posted by Chris: A wonderful and successful entry for the Rare Page - my favorite of the past several, I think.
Yes a pretty good effort here, as they do with the other preludes & fuge excercises on this disk. Of course B had a good subject to study in this case, though I'm sure this arrangement was not too difficult a task for him as the fuge itself is not a particularly complex affair.
If you want to compare it with Handel's original overture, an excellent piece in my opinion, here it is as promised as an mp3 from McCreesh's excellent recording on Archiv. It is in 3 sections, the fugue being the central part:
Really, really enjoyed these pieces. I hadn't heard Hess 36 before so it was a real treat. Can't say it's cold and gray here (never is) but it certainly lifted my spirits as well.
It occured to me too draw readers attention to the lean silky smooth string textures emanating from the overture compared to the far less sonorous effect from the quartet as a result in particular of the continual use of vibrato and secondarily the modern stringing (the orchestra uses gut). This 'vibrato continuoso' is the curse of music performance.
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"If I were but of noble birth..." - Rod Corkin
[This message has been edited by Rod (edited January 08, 2003).]
Originally posted by chopithoven: What is Beethoven's work here? Did he write additional notes or he just copied them from the orchestral to the quartet score?
If you have listened to both tracks you will realise that the quartet is not a true Beethoven composition as such but a copy by him of the Handel fugue arranged as near as possible for quartet.
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"If I were but of noble birth..." - Rod Corkin
[This message has been edited by Rod (edited January 09, 2003).]
Originally posted by Rod: If you have listened to both tracks you will realise that the quartet is not a true Beethoven composition as such but a copy by him of the Handel fugue arranged as near as possible for quartet.
Oh! I will download the overture, I didn't notice it was there.
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