Originally posted by Rod:
Well, this is the crux of the whole issue of repeats with Beethoven. Tempos in general are so underpaced that the inclusion of the repeat would be judged as making the movement too long and boring for the listener. The problem is not however the repeat, but the tempo. The classic example is with the Archduke scherzo - this movement is played so pathetically lame that the repeat of the trio section is almost never observed. Yet a far swifter performance (such as that played by the Castle Trio on Virgin) makes the inclusion of the repeat almost manditory, and much to the movement's benefit.
Well, this is the crux of the whole issue of repeats with Beethoven. Tempos in general are so underpaced that the inclusion of the repeat would be judged as making the movement too long and boring for the listener. The problem is not however the repeat, but the tempo. The classic example is with the Archduke scherzo - this movement is played so pathetically lame that the repeat of the trio section is almost never observed. Yet a far swifter performance (such as that played by the Castle Trio on Virgin) makes the inclusion of the repeat almost manditory, and much to the movement's benefit.
Comment