I was wondering about the numbers, because for the version I have been listening to for a while, it was simply called "Ecossaise." Thus, I assumed it was one of the six.
I am not sure which version I like better (the other version was Badura-Skoda). The Brendel is much quicker and after listening to both a few times, I am thinking this is more along the lines of how it should be.
Originally posted by Chris: It sounds fun, actually.
I was wondering about the numbers, because for the version I have been listening to for a while, it was simply called "Ecossaise." Thus, I assumed it was one of the six.
I am not sure which version I like better (the other version was Badura-Skoda). The Brendel is much quicker and after listening to both a few times, I am thinking this is more along the lines of how it should be.
Originally posted by chopithoven: But there are no stops between each dance, and all of them have the same ending. I don't think so.
Well don't you remember the 6 Landler WoO15 we featured a while back? - the same thing applied - all are in the same key and intended to be played without a break.
Some interesting difference between the contredances and the Eccossaises - both are in 2/4 time, but the former usually have a quaver upbeat and the latter do not. Also the set of Eccossaise are entirely in one key whereas the contredances are in contrasting keys.
Originally posted by chopithoven: Well, I will trust you, but at least explain me the reason of the absence of stops between each track.
The dances make me think more of a theme with 5 variations, but with each variation (like a chorus) ending with the same passage. As the pieces themselves are very small and in the same key it is reasonable to me that they should be played as one piece. That's how I was taught to play them.
Originally posted by Sorrano: The dances make me think more of a theme with 5 variations, but with each variation (like a chorus) ending with the same passage. As the pieces themselves are very small and in the same key it is reasonable to me that they should be played as one piece. That's how I was taught to play them.
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