Mozart: The piano concerto in C minor no.24.
The ashtonishing and, if only I knew some of the history of music would dare say revolutianary first movement, ends with the upper voices doing C-Db-C-B-C (flutes for instance). Such an energetic piece of music ending with those measures with that slight sadness! In that time feelings like that (sadness) cuold not, and should not be seen from the outside. Perhaps it's the delicacy in the expression of feelings that makes 18th century music so wonderful that it deserved the name of classisism. You just presiente the feeling is there but it will never be visible. I remember somebody once spoke about the depths of Mozart's heart.
The ashtonishing and, if only I knew some of the history of music would dare say revolutianary first movement, ends with the upper voices doing C-Db-C-B-C (flutes for instance). Such an energetic piece of music ending with those measures with that slight sadness! In that time feelings like that (sadness) cuold not, and should not be seen from the outside. Perhaps it's the delicacy in the expression of feelings that makes 18th century music so wonderful that it deserved the name of classisism. You just presiente the feeling is there but it will never be visible. I remember somebody once spoke about the depths of Mozart's heart.
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