Forgive me if I am repeating something that has no doubt been discussed before here, but I'm new on the block:
Am I the only person in the universe who prefers the substitute finale to the fuga for op.130?
I listened to it again last night, and I still think it just sounds bad....it's always so out of tune!! Hold on critics... I know that would initially be seen to be a result of performers, but actually I don't think it is. I have yet to hear a performance that sounds vaguely decent. I think B made a severe miscalculation in what he thought string instruments could do: i.e. play that kind of chromatic music in tune. That's a compositional fault, not the fault of performers. Maybe that's why he replaced it.
Any thoughts?
Am I the only person in the universe who prefers the substitute finale to the fuga for op.130?
I listened to it again last night, and I still think it just sounds bad....it's always so out of tune!! Hold on critics... I know that would initially be seen to be a result of performers, but actually I don't think it is. I have yet to hear a performance that sounds vaguely decent. I think B made a severe miscalculation in what he thought string instruments could do: i.e. play that kind of chromatic music in tune. That's a compositional fault, not the fault of performers. Maybe that's why he replaced it.
Any thoughts?
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