After the orchestration of the E-Mjor Fugue from Bach's Well-Tempered Clavier Book II
http://www.gerdprengel.de/Bach-Wellt...Major_Orch.mp3
http://www.gerdprengel.de/Bach_WT2-E...-fuge_orch.pdf
now I did the same with the Fugues in g-minor:
http://www.gerdprengel.de/WT2-g-Minor-fuge_orch.mp3
http://www.gerdprengel.de/Bach_WT2-g...fugue_orch.pdf
and g#-minor:
Especially the g#-minor fugue was a wonderful experience. Usually this masterwork is performed with rather fast tempo which to my mind is not convey the depth of this work. Through Daniel Barenboim's wonderful slow interpretation I got an idea what an ingenious and chromatic work this is, and so I tried to create a slow and pathetic 'Andante sonstenuto' orchestration. My favourite part is the final part starting at 7:20 :
www.gerdprengel.de/WT2-gis-Minor-fugue_orch.mp3
www.gerdprengel.de/WT2-gis-Minor-fugue_orch.pdf
http://www.gerdprengel.de/Bach-Wellt...Major_Orch.mp3
http://www.gerdprengel.de/Bach_WT2-E...-fuge_orch.pdf
now I did the same with the Fugues in g-minor:
http://www.gerdprengel.de/WT2-g-Minor-fuge_orch.mp3
http://www.gerdprengel.de/Bach_WT2-g...fugue_orch.pdf
and g#-minor:
Especially the g#-minor fugue was a wonderful experience. Usually this masterwork is performed with rather fast tempo which to my mind is not convey the depth of this work. Through Daniel Barenboim's wonderful slow interpretation I got an idea what an ingenious and chromatic work this is, and so I tried to create a slow and pathetic 'Andante sonstenuto' orchestration. My favourite part is the final part starting at 7:20 :
www.gerdprengel.de/WT2-gis-Minor-fugue_orch.mp3
www.gerdprengel.de/WT2-gis-Minor-fugue_orch.pdf
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