Last night during supper I listened to SACD disk seven from the Brautigam fortepiano Beethoven sonata set, containing in order sonatas #26 (Les Adieux), #27, and #29 (Hammerklavier).
I continue to enjoy this rendition. Some time ago I christened the Pathetique with a second title: "Indestructible". Of all the Beethoven sonatas, it seems the most adaptive to a wide range of interpretive choices. It sounds good on modern piano. It sounds good on fortepiano. It sounds good on clavichord. It sounds good with an ultra slow final movement as heard above. It sounds good with the first movement exposition repeat taken all the way to the beginning as favored by Andras Schiff and a few others. It can be a moving experience in the hands of a less than stellar pianist, as demonstrated by Sue Perkins' performance of the middle (slow) movement.
Originally posted by Megan
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