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    #61
    Originally posted by PDG View Post
    Yes, Michael. Wasn't it the finale of the 7th (Op. 92) that von Karajan said he'd been immersed in while at the wheel?...
    I think it may have been the Scherzo - at least he wasn't conducting and singing to Elephants like Glenn Gould!
    'Man know thyself'

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      #62
      Originally posted by PDG View Post
      I think Beethoven should have told Thomson to give them to Bob Dylan instead. The harmonica would have added so much...
      The harmonica was invented around 1820 so Beethoven could have used it. But Bob Dylan wasn't invented until much later, so .......
      I've lost my thread of thought ..............

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        #63
        Originally posted by Enrique View Post
        Thanks for your posts, Sorrano. I hope you're doing well.
        You are welcome, Enrique! And doing good here, thank you!

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          #64
          Originally posted by Michael View Post
          I've lost my thread of thought ..............
          That is sew sad, Michael!

          This morning:

          Beethoven: String Quartet No. 6 in B Flat Major

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            #65
            During lunch today: Leopold Mozart, Concerto for Viola and Orchestra in D major adapted for trombone; Christian Gouinglene, Concerto for Tenor Trombone and Strings based on Themes by Johann David Heinchen; Johann Michael Haydn, Concerto for Alto Trombone and Orchestra in D minor. Armin Rosin, Trombone. Vienna Chamber Orchestra/Philippe Entremont. (CD)

            During supper today: Schubert string quartet No.15 performed by the Alban Berg Quartet. This is another piece I haven't quite come to terms with yet. (CD)

            At YouTube today: Peter Schickle, "Unbegun" Symphony recorded live a Carnegie Hall.

            During Lunch yesterday: Beethoven's first two violin sonatas, Kavakos/Pace. (CD)

            During Supper yesterday: Beethoven's first two piano sonatas, Brautigam. (CD)

            At Youtube yesterday: Schubert's string quintet recorded live at the 2008 Zagreb Chamber Music Festival. I quite like this performance, especially its third and fourth movement.
            Last edited by Decrepit Poster; 04-12-2015, 03:49 AM.

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              #66
              Playing: Variation and Fugue on a Theme by Handel by Johannes Brahms
              ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

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                #67
                Originally posted by Megan View Post
                Playing: Variation and Fugue on a Theme by Handel by Johannes Brahms
                Great piece and even Wagner expressed rare admiration for the fugue!

                Listening to the Eroica / Szell.
                'Man know thyself'

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                  #68
                  Originally posted by Sorrano View Post
                  That is sew sad, Michael!
                  Trying to needle me, Sorrano?

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                    #69
                    Originally posted by Michael View Post
                    Trying to needle me, Sorrano?
                    That one got me in stitches!

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                      #70
                      Corelli - Concerto grosso in F OP.6 no.2.
                      The English Concert.
                      Conductor: Trevor Pinnock.





                      Ludwig van Beethoven

                      Piano Concerto No. 1: Movement III
                      Performer: Alfred Brendel.
                      Orchestra: The Vienna Philharmonic Orchestra.
                      Conductor: Sir Simon Rattle.
                      PHILIPS.


                      .
                      Last edited by Megan; 04-13-2015, 10:30 AM.
                      ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

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                        #71
                        This morning:
                        Milhaud: "Le printemps" (Set 2), Op 66, #3, Calme
                        Mozart: Horn Concerto #3 in E-Flat, K 447

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                          #72
                          Originally posted by Sorrano View Post
                          Mozart: Horn Concerto #3 in E-Flat, K 447
                          Great piece, Sorrano. The middle movement is heavenly. The orchestration of this concerto employs the use of clarinets instead of oboes and bassoons instead of horns.
                          Zevy

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                            #73
                            Octet (D.803) in F major, 3rd movement; Allegro vivace by Franz Peter Schubert


                            Concerto in A minor for 2 violins, RV 523 by Antonio Vivaldi
                            Last edited by Megan; 04-14-2015, 09:12 AM.
                            ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

                            Comment


                              #74
                              Originally posted by Zevy View Post
                              Great piece, Sorrano. The middle movement is heavenly. The orchestration of this concerto employs the use of clarinets instead of oboes and bassoons instead of horns.
                              The local radio station plays one of the concerti quite often (not sure which one) so hearing this one was a breath of fresh air.

                              This morning:
                              Elgar: Coronation March, Op 65 (1911)
                              Bax: "London Pageant"
                              Walton: "Orb and Sceptre," Coronation March

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                                #75
                                Originally posted by Megan View Post
                                Octet (D.803) in F major, 3rd movement; Allegro vivace by Franz Peter Schubert
                                Good taste, Megan. I can hear it now in my head.
                                Zevy

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