sonata, op. 111.
Two-movement structure
Beethoven’s last piano sonata has only two movements (i. Maestoso, ii. Arietta) rather than the more typical three. Lill likens it to Schubert’s ‘Unfinished’ Symphony; both are utterly complete and substantial, particularly the second and final movement in theme and variations form. ‘What can you follow that by?’ Lill asks. ‘Nothing. As Schubert said, what else is there left to write?’
Beethoven ends his last piano sonata in an incredible state of mind says Lill. Interestingly, Beethoven ends the work with a quaver followed by a rest. Whilst this might be the equivalent of a long pause in performance, he is effectively writing in a musical question mark; a bold statement for the end of his entire piano sonata oeuvre.
Read on:
http://notesonnotes.org/2014/03/19/b...111-john-lill/
Two-movement structure
Beethoven’s last piano sonata has only two movements (i. Maestoso, ii. Arietta) rather than the more typical three. Lill likens it to Schubert’s ‘Unfinished’ Symphony; both are utterly complete and substantial, particularly the second and final movement in theme and variations form. ‘What can you follow that by?’ Lill asks. ‘Nothing. As Schubert said, what else is there left to write?’
Beethoven ends his last piano sonata in an incredible state of mind says Lill. Interestingly, Beethoven ends the work with a quaver followed by a rest. Whilst this might be the equivalent of a long pause in performance, he is effectively writing in a musical question mark; a bold statement for the end of his entire piano sonata oeuvre.
Read on:
http://notesonnotes.org/2014/03/19/b...111-john-lill/
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