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Ich bin der Welt abhanden gekommen

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    Ich bin der Welt abhanden gekommen

    Mahler, not Beethoven, this time.

    I think this is the most beautiful song I know. I saw it performed yesterday here in Vienna with a baritone voice. Does anyone know whether Mahler actually meant it for a man's voice or for a woman's?
    I have seen it done before by Thomas Hampson and I have heard it sung by women more than once. To me the woman's voice is more apt to evoke the pain and sadness that oozes out of the words and the music. I enjoyed yesterday, don't get me wrong. But Janet Baker and Barbirolli doing this is so much more subtle. There's a Kozena/Abbado version on Youtube, too, which is very, very beautiful.
    There are two moments of absolute bliss (even more than the rest) in this song: at '... und ruh' in einem stillen Gebiet', when some sort or reconciliation is taking place with the pain and sadness and at the end, when the song peters out into some sort of unreachable infinity. One just wants the silence and peace to continue for ever.
    Mahler was a genius in the expression of these kinds of feelings. He does it time and again in his symphonies, in different shapes.

    #2
    I agree it is stunningly beautiful and I've listed this link before but for those who didn't see it here is a beautiful recording:
    Dietrich Fischer-Dieskau (baritone) Berlin Philharmonic Orchestra /Karl Böhm
    http://www.youtube.com/watch?v=vTqbTP5qy7k
    'Man know thyself'

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      #3
      I listened/watched it late last night and agree it is an excellent version... for a man's voice. Most men are too fierce for the song, to my feeling, but good old Dieter is certainly giving a very smooth rendering of this subtlest of songs.

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