Enrique, I don't recall much in terms of trumpets and timpani with that particular symphony. There is one that comes to mind, but I don't recall which one, that could sound almost like a trumpet and timpani concerto. This one, however, is one of the unusual one that is a three movement and ends with the minuet and trio.
As for the Schubert, now that my silly prejudices have dissipated, I can say it is a beautiful symphony!
Last edited by Sorrano; 09-16-2013, 08:50 PM.
Reason: Forgot a comma!
Bach: Concerto for 2 Violins, Strings and Continuo in D Minor, BWV 1043.
I think the three violin concerti Bach left us are one of the most exquisitely crafted musical works of all time. In any case, no one managed to join two instruments, in a concerto, with such a degree of perfection, as in the double concerto. Somewhere, Stravinsky speaks highly of it.
This evening: Schubert (Newbould): Symphonic Fragments in D Major D708a
The only word that comes to my mind is "possibilities". The other day I was listening to the 8th Symphony (Schubert's) with the Newbould addition. The third movement, I thought, went with the symphony and was well done. The insertion of the Rosamunde extraction didn't do as much for me.
Shortly I will be listening to the 7th Symphony (Newbould, again, with the orchestration and completion).
The first two bars in the development have always impressed me (first movement). It seems like a locomotive that suddenly inverts its motion and goes backwards. But why repeat the exposition? We all know them so well! It's really annoying.
Beethoven:
2nd piano concerto, in B flat major
Diabelli Variations, op.120
In one of the variations a theme from Don Giovanni is quoted! The quote is clear. I did not know that.
Piano Quartet in E flat, Op.16
Debussy:
La mer.
Beethoven:
Symphony no. 9, op.125.
This was the first pocket score and the first record I bought. During how long was it that the Ninth Symphony was everything for me? I remember getting up at night and listening to it (I only had the turntable, no amplifier) putting a paper between the stylus and the record surface and the ear close to the paper.
Copland: Appalachian Spring (1943-5) Ginastera: Doce Preludios Americanos, Op 12 #9, "Tribute to Aaron Copland" Bach: Orchestra Suite #2 in b, BWV 1067
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