Following the op.2/3 thread, I am reminded of the impression that Beethoven at least at one point wanted to make a complete, authorized edition of his catalogue. Because he had to deal with unscrupulous publishers and they had to deal with his messily-written MS's, did Beethoven ever succeed in making an authorized edition?
Also: this renewed talk about Beethoven-suitable pianos makes me wonder (since I now fairly little about piano evolution) if the Grafs and Walters and Streichers all died out at the same time that Bosendorfers and Erards and Steinways (or whatever) were being introduced. Did performing artists like Liszt and Dvorak and Schumann have to use post-Beethoven pianos because they had no choice, or did they choose those pianos because they believed they sounded better, or did they stick with the "original" pianos? I don't know either way, but I imagine that if, say, Liszt, who maintained Beethoven's work in the performing repertory, played on a Bosendorfer, then we can safely say that using more modern pianos was at least suitable enough for Beethoven's admirers.
Also: this renewed talk about Beethoven-suitable pianos makes me wonder (since I now fairly little about piano evolution) if the Grafs and Walters and Streichers all died out at the same time that Bosendorfers and Erards and Steinways (or whatever) were being introduced. Did performing artists like Liszt and Dvorak and Schumann have to use post-Beethoven pianos because they had no choice, or did they choose those pianos because they believed they sounded better, or did they stick with the "original" pianos? I don't know either way, but I imagine that if, say, Liszt, who maintained Beethoven's work in the performing repertory, played on a Bosendorfer, then we can safely say that using more modern pianos was at least suitable enough for Beethoven's admirers.
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