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Form, Thematic writing and Harmonic planning in Late Beethoven

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    Form, Thematic writing and Harmonic planning in Late Beethoven

    I am but a lowly undergraduate writing an essay on the above subject. I caught some of a lecture by Darla Crispin yesterday at the Festival hall. She mentioned an 'Ordarno'(wrong spelling I'm sure) as a good source for late Beethoven. Can anyone confirm the correct spelling of this guys name so that I can research it? Any other info greatfully received.

    Thanks

    Dave B

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    I'm just trying my best!
    I'm just trying my best!

    #2
    Sorry the only names I can come up with are Tovey, Alan Tyson, Rudolph Reti or Heinrich Schenker.

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    'Man know thyself'
    'Man know thyself'

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      #3
      My man says that it could be ADORNO (Theodor Wiesengrund). A philosophe, musicologist and german critic born in Frankfurt-am-Main (1903) dead in Switzerland (1969).... I wrote in 1963 something we did not read but called "Quasi una fantasia" (Musikalische Schriften).I was a critic....

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      Claudie
      Claudie

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        #4
        Sorry, it is not "I was a critic" (and happy not to be !) but "HE" was a critic...

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        Claudie
        Claudie

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          #5
          Bah, everyone's a critic

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            #6
            Addorno has come up with some quite wonderful quotes regarding Beethoven. Example: "The opening (horses') trot of the Farewell sonata (op.81a) underscores even more hope than the Four Gospels."

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