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    This week:

    Scott Joplin - The Complete Rags, Marches, Waltzes & Songs - Guido Nielsen

    This set is four discs, and I am particularly busy this week, so it will probably take me most of the week to listen to all of the music, but after listening to just the first disc so far I can say this is easily the best recorded Joplin I have ever heard. Nielsen plays everything just the way I do when I play Joplin. And I don't mean to compare my meager skills at the piano to his, but it is very satisfying to finally find recordings of these works by someone who sees these works the same way I do.

    Everything here is recorded on a modern, in tune grand piano. There are no rhythmic oddities or pointless improvisations. Tempos are perfect, in my opinion. Swift, but not, as Joplin warns against in his scores, too fast. (I think we often misunderstand this instruction these days and play the rags in a tempo that drags). So many attempts at a complete Joplin, like Richard Zimmerman's well-known set, fail at one or more of these points.

    I don't know how Joplin is regarded in Europe, but his music is appreciated here in the USA, at least since the 70s. I find that his music is just a lot of fun to play, and I have had piano students who I just could not get excited about anything else get very enthusiastic about learning to play a Joplin rag or two.

    Joplin certainly elevated the style, and these Guido Nielsen recordings treat the music with the seriousness it deserves without losing the fun in them. They will have a place of honor on my shelf next to the Joshua Rifkin disc. My only complaints about the set are 1) that it does not include the "School of Ragtime", which is understandable since it is basically an exercise, but it would have been nice to include it for completeness (Zimmerman's set includes it) and 2) the fact that the songs are piano-only, with no singer, which is also understandable since many of the lyrics would be considered wildly inappropriate/offensive today, but...it was what it was, and I think it would be worth something as a picture of the times to present them as they are.

    Comment


      Originally posted by Sorrano View Post
      This morning:

      Haydn: Symphony No. 47 in G

      Grieg: In Autumn Overture
      I know symphony 46. I'm listening to 47 now, but do not remember if I heard it before.

      Comment


        Today:

        Goebbels:
        Walden (1998; chamber version 2008)

        Berg:
        Violin concerto (1935)

        Moniuszko:
        String Quartet No.2 in F major (1837-40)

        Poulenc:
        Cello sonata (1948 rev ’53)
        Violin sonata (1943 rev 49)
        Sonata for 2 clarinets

        Lalo:
        Le Roi d’Ys: overture (1888)

        Auber:
        Le Domino noir: overture (1837)

        Hérold:
        Zampa: overture (1831)

        Lindberg:
        Era (2012)

        Comment


          This morning:

          Haydn: Piano Sonata #60 in C, H XVI:50

          This has a lot of little idioms that remind me much of Beethoven's earlier piano sonatas. This is a very delightful work!

          Kalkbrenner: Adagio ed Allegro di bravura

          Can't say that I've even heard of this composer, and was surprised after reading a bit about him on the wikipedia. I could certainly stand to hear more of his music.

          Comment


            Today:

            Palestrina:
            Laudate Dominum for 8 voices

            de Machicourt:
            Nunc enim si centum lingue sint (p. Antwerp 1547)

            Andrea Gabrieli:
            Aria della battaglia à 8

            Gade
            Ved solnedgang opus 46 (1865?)

            Auber:
            Fra Diavolo: overture (1830)

            Offenbach:
            La belle Hélène: overture (1864)
            Orphée aux Enfers: overture (1858)

            Godard:
            Jocelyn opus 100: Berceuse (1888)

            Ibert:
            Divertissement (1931)

            Norgard:
            Symphony No. 8 (2011)

            Ruders:
            String Quartet No. 4 (2012)

            Comment


              Roehre, for some reason Auber's name caught my eye and he is one that I can't say I have heard of him. From reading about him on the wikipedia it surprises me that I am not familiar, at least with his name as he seems to have had some measure of popularity in his lifetime. Any thoughts on his operatic style?

              Comment


                Originally posted by Sorrano View Post
                Roehre, for some reason Auber's name caught my eye and he is one that I can't say I have heard of him. From reading about him on the wikipedia it surprises me that I am not familiar, at least with his name as he seems to have had some measure of popularity in his lifetime. Any thoughts on his operatic style?
                sorrano, an orchestral and an operatic style which could be best described as the French counterpart of Bellini and Donizetti: bloated libretti with brilliant music (especially virtuose perfomers needed) and for that reason too rarely heard. Especially the overtures were war horses in all kinds of arrangements in the 19th and the first half of the 20th Centuries, but have all but disappeared these days.
                Auber's Fra Diavolo made it into a Laurel and Hardy feature movie, btw.

                Comment


                  Thanks, Roehre, that helps! Maybe I will have to watch a little more of Laurel and Hardy. Some of Auber's works are available at Amazon and I do have a free MP3 to download, so I might try that.

                  This morning:

                  Rossini: Semiramide Overture

                  Monteverdi: L'Orfeo: Toccata Overture

                  Borodin: Prince Igor: Overture

                  Comment


                    Dido and Aeneas
                    Composer of the Week, Henry Purcell
                    (1659-1695) Episode 3 of 5


                    First broadcast:Wednesday 13 March 2013.
                    Donald Macleod examines Purcell's revolutionary first opera, "Dido and Aeneas", and the influence and power it still holds over us more than three centuries on after its composition in 1689. He introduces excerpts from each of the opera's three acts, in a trio of celebrated recordings. Part of BBC Radio 3's "Baroque Spring": a month long season of baroque music and culture.
                    ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

                    Comment


                      Today:

                      Poulenc:
                      Les Biches (1940)

                      Bruckner:
                      Te Deum (1881/’84)

                      Sweelinck:
                      Te Deum SwWV 187 (p.1619)

                      Stravinsky:
                      Faune et Bergère opus 2 (1907)
                      2 Poèmes de Paul Verlaine opus 9 (1910 orch 1914/1951)
                      2 Poems of Konstantin Bal’mont (1911 orch 1954)

                      Comment


                        This morning:

                        Anonymous: Early One Morning

                        Damase: Variations on Early One Morning

                        Scott: Poem for Piano and Orchestra, "Early One Morning"

                        Why do I feel like I've been up for a long time?

                        Comment


                          Beethoven:
                          Sonata no.4

                          How cute the principal theme is in the rondo.
                          Last edited by Enrique; 03-14-2013, 03:53 PM.

                          Comment


                            I have Radio 3 on in the background all day, and today I stopped to listen to Michael Nyman's An Eye For Optical Theory and Miranda, and Chabrier's Espagna.

                            I think Dido's Lament may have been on earlier too, or was that yesterday?
                            "If a thing is worth doing, it is worth doing badly." - G.K. Chesterton

                            Comment


                              Hello Symphony7, I suspect you are prankster not a million miles removed from my own forum persona. I welcome you !
                              Now please excuse me, I'm horribly busy and defaulting on lots of promises I've made on this forum, but they will be honoured. [He's lying. Ed.]

                              Comment


                                Originally posted by Symphony7 View Post
                                I have Radio 3 on in the background all day, and today I stopped to listen to Michael Nyman's An Eye For Optical Theory and Miranda, and Chabrier's Espagna.

                                I think Dido's Lament may have been on earlier too, or was that yesterday?
                                If you had been listening to the radio station I was it would have been "Early One Morning."

                                Comment

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