Well, it's quite possible there were parallel fifths, Enrique (I'll have to check the scores to be sure). But in some harmony treatises certain parallel fifths are permitted, sometimes referred to a "Mozart parallel fifths". The 4-part harmony "rules" are that a perfect 5th followed by a diminished 5th or vice versa in the upper voices is permitted, but not with the bass. Even Bach does it sometimes in his chorale harmonizations, but uses rhythmic displacement to "hide" too direct a parallel 5th.
Well, it was ironically meant by me. But I'm grateful anyways as this gave place for you to teach some interested concepts. All things theorical interest me.
... PDG quivering at the thought that he wanted to keep all these difficult letters but he can't deliver the goods!
Young Philip, me lad...
I have never failed to deliver the goods (especially when I was a driver for TESCO). I believe I have thus far offered my fair share of Qs, Xs, Ys and Zs.....I do find however that whenever I check in, these letters have already passed by and we're back with the mundane As and Bs again.....
Plus, I'm keeping my powder dry for the much later rounds...
Roehre already did that one, Sorrano! Have another go, je vous en prie!
PS: I'm in the Black Forest until next Tuesday with very slow internet connection (one of those USB/Internet stick thingies), so I won't be able to post much as it's too frustrating.
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