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    Originally posted by Roehre View Post
    copy catting, sorrano :-) ?
    What can I say? You have good taste and I have a lot of curiosity.


    Originally posted by Roehre
    Do you know Vivaldi's Concerto per multi stromenti per il Orchestra di Dresda in g RV577 (or P.383)?
    Composed with the same orchestra in mind - and showing that Heinichen was able to create his own style, different from what Vivaldi, JSBach, Handel or Telemann had to offer, to name but the Germanic composers here.
    I am probably not too familiar with the Vivaldi; that time period is not one of my musical strengths. However, I am getting a better feel for the different styles of the above named composers.

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      Today:

      Tchaikovsky
      :
      Symphony no.6 in b op.74 “Pathétique”

      LigetiPoème symphonique (1962)

      Berio
      Sequenza V (1966)

      Xenakis
      Phlegra (1975)

      Harvey:
      Mortuos plango, vivos voco (1980)

      Cage:
      1O1 (1988)
      Improvisation III (1980)
      Experiences II (1948)
      ear for EAR (Antiphonies) (1983)
      Four2 (1990)

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        Roehre, does the Manfred Symphony fit between Nos. 5 and 6, chronologically? (I look forward to your listening lists everyday, sorry!)

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          Originally posted by Sorrano View Post
          Roehre, does the Manfred Symphony fit between Nos. 5 and 6, chronologically? (I look forward to your listening lists everyday, sorry!)
          No. The Tsjaikovsky opus numbers (i.e. up to and including 75/79, but without the posthumous 76-78 and 80-81) are chronologically straightforwardly in the correct order.

          Symphony 4 is opus 36 (1877); Manfred is opus 58, dating from 1885, 5 is 64, and dating from 1888.
          Hence Manfred was composed between 4 and 5.

          I intended to listen to the cycle chronologically, but for associative reasons I swapped Manfred for 5: August 17th is my late grandmother's birthday, and I associate 5 with the place in the forests where my grand parents lived.

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            Originally posted by Roehre View Post

            I intended to listen to the cycle chronologically, but for associative reasons I swapped Manfred for 5: August 17th is my late grandmother's birthday, and I associate 5 with the place in the forests where my grand parents lived.
            That is a wonderful association; thanks for sharing that! The 5th was one of the first of Tchaikovsky's symphonies that I got to know and among the first in my introduction to Classical Music. Hence it is a favorite of mine.

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              Originally posted by Roehre View Post
              No. The Tsjaikovsky opus numbers (i.e. up to and including 75/79, but without the posthumous 76-78 and 80-81) are chronologically straightforwardly in the correct order.
              Interesting spelling there. That was intentional, I assume?

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                Originally posted by Sorrano View Post
                Interesting spelling there. That was intentional, I assume?
                No, not intentional. The standard Dutch one.

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                  This morning:

                  Mozart: Six Variations in F on Paisiello's Gli Astrologi

                  Hummel: Introduction, Theme and Variations in F

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                    Originally posted by Sorrano View Post
                    Hummel: Introduction, Theme and Variations in F

                    This is the work for oboe and orchestra opus 102?
                    Was my very first encounter with Hummel in 1971 and one of the very first pieces of classical music I got on a pre-recorded cassette tape anyway.

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                      Today:

                      Tchaikovsky:
                      Symphony no.7 in E-flat (1892/’93)
                      [the original version of the Piano concerto no.3 op75/79; edition Bogatyriev ca.1954]

                      Bainbridge:
                      The Garden of Earthly Delights (2011/’12) (BBC Proms: iPlayer)

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                        This morning:

                        Bethune:
                        The Battle of Manassas
                        Oliver Galop

                        Copland:
                        Violin Sonata

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