What are you listening to now?

[Roehre]

Today:

Shostakovich:
Prologue to Orango (1932; arr.McBurney 2009/’10)

Bach, Carl Philipp Emanuel:
Concerto for harpsichord and fortepiano and orchestra in E flat Wq.47 (1788) (R3 TtN iPlayer)

Neuwirth:
Remnants of Songs... an Amphigory (2009) (R3 Proms iPlayer)

Tchaikovsky:
Symphony no.3 in D op.29 “Polish”
Swanlake opus 20: suite

Flecha (1481-1553):
Las Enseladas: La Justa

[Preston]

Dinev, Petar [1889-1980]
The Angel Cried Out
It is Truly Meet in the 7th mode
A Mercy of Peace No.6
It is Truly Meet in the 5th mode
The Father & the Son
A Mercy of Peace No.7
The Trisagion Hymn
The Lord's Prayer
A Mercy of Peace No.5
Troparion of the Nativity
My Whole Trust
Praise the Name of the Lord
Two Folk Songs from South-Western Bulgaria
The Judicious Villain (all R3iPlayer :TtN)

I saw his birth and death years and thought how long of a life that is. I could find little information on him by doing a quick google search. I read that he was apparently a very religious person, and wrote several essays and theoretical papers about music, etc.??? Any information or thoughts on his music, etc.?

[Sorrano]

This morning:

Beethoven: Leonore Overture No. 3

Bach: Violin Concerto in D (after BWV 1052)

[Roehre]

Today:

Bruch :
String Quintet in A minor (1918) (R3: lunch concert iPlayer)

Ockeghem:
De Profundis clamavi for 5 voices (R3: TtN iPlayer)

Arthur Butterworth:
3 Nocturnes: Northern Summer Nights Op.18 (1958) (R3: CotW iPlayer)

Tchaikovsky:
Symphony no.4 in f op.36

[Sorrano]

Roehre, are you listening to a particular Tchaikovsky cycle? (And is the the Manfred symphony included?)

[Roehre]

Roehre, are you listening to a particular Tchaikovsky cycle? (And is the the Manfred symphony included?)

It's Philharmonia/Muti (late 1970s/early 80s EMI, re-issued on Brilliant) I am listening to, including Manfred. (However, I will end the cycle with the 7th symphony, i.e. the original version of the third pianoconcerto opp.75/79, edition Bogatyriev, Philadelphia/Ormandy on CBS[/Sony])

[Sorrano]

I was not aware of the existence of the 7th Symphony! However, you've given me a taste for Tchaikovsky so I might have to include him in some upcoming listening sessions.

This morning: Spohr: Clarinet Concerto No. 4 in e

[Roehre]

Today:

Barber
Knoxville: summer of 1915 op.24 (1947)

Tchaikovsky:
Symphony no.5 in e op.64

Cage:
101
Improvisation III
Atlas Eclipticalis / Winter Music / Cartridge Music
Concerto for Prepared Piano and Orchestra
Four squared
But what about the noise of crumpling paper...
Experiences II (solo voice)
ear for EAR (Antiphonies)

Marclay:
Luggage 2012 - improvisation for orchestra

[Roehre]

Today:

Brahms:
String Quintet in F minor Op. 34 [original version reconstructed by Anssi Karttunen]

Nørgård:
Symphony No. 7 (2009)

[Peter]

Interesting Prom on BBC4 last night with São Paulo Symphony Orchestra / Nelson Freire / Marin Alsop

Dvořák: Symphony No. 9
Copland: Fanfare for the Common Man
Joan Tower- Fanfare for the Uncommon Woman
Villa-Lobos: Momoprécoce
Ginastera: Estancia – suite

[Quijote]

Interesting Prom on BBC4 last night with São Paulo Symphony Orchestra / Nelson Freire / Marin Alsop
(...)
Ginastera: Estancia – suite

Interesting coincidence for me as I'm reading about his opera Bomarzo. I'll make a quick posting about that on the What Are You Reading Now thread. Might be of interest to Enrique, perhaps.

[Roehre]

Today:

Tchaikovsky:
Manfred opus 58 (1885)

Roussel:
Resurrection opus 4: Prologue (1903)

BBC Proms Inspire Young Composers' Concert 16/08 (R3: iPlayer):
Alex Wolff (sp.?; b.1995):
Mermish – for bassoon and string quartet (2012)

Sarah Gates (b.1995):
Portrait of a Moore (for orchestra, 2012)

Freddy Myers (sp.?; b.1997);
3 Aphorisms for orchestra (2012)

[Sorrano]

This evening:


Nørgård

Symphony No. 7

Roussel:

Resurrection opus 4: Prologue

Thanks, Roehre!

[Sorrano]

This morning:

Heinichen: Dresden Concerto in F, S 235

[Roehre]

copy catting, sorrano :-) ?

This morning:

Heinichen: Dresden Concerto in F, S 235

Do you know Vivaldi's Concerto per multi stromenti per il Orchestra di Dresda in g RV577 (or P.383)?
Composed with the same orchestra in mind - and showing that Heinichen was able to create his own style, different from what Vivaldi, JSBach, Handel or Telemann had to offer, to name but the Germanic composers here.