This morning was Beethoven's 2nd Symphony. I'm sure the conductor was not stone deaf.
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Today:
Coleridge-Taylor:
Symphony in a opus 8 (1896)
Salmenhaara:
Adagietto for Orchestra (1981) (R3: TtN )
Lipinski:
Variations de Bravoure sur une Romance militaire in D Op.22 (1824) (R3: TtN )
Arnold:
Machines – symphonic study opus 30 (1951)
Solitaire (1956)
Divertimento no.2 op.75 (1961)
The Belles of St.Trinians (1988)
Cowen:
Symphony no.6 in E “Idyllic” (1898)
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Today:
Holst:
Scherzo of an unfinished Symphony H.I-14 (1934)
Walt Whitman Overture opus 7 H.42 (1899)
Symphony in F "The Cotswolds" opus 8 H.47 (1900)
A Hampshire Suite opus 28/2 H.106 (1911)
The Perfect Fool opus 39 H.150 (1922)
Travelling abroad in a couple of hours.
I’ll be back April 18th or 19th.
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Originally posted by Sorrano View PostI forgot to add Tchaikovsky's Marche Slave to this morning's listening.
It's a beautiful day here and I've just been listening (outside, on my iPod) to Opus 111 played by Ashkenazy.
The only problem is, I played it too early in the day and I find it difficult to listen to any more music after that final movement.
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Originally posted by PDG View PostSorry, no, never heard of them...- I hope, or I could not live. - written by H.G. Wells
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Opus 110 with Ashkenazy again.
It's interesting that Beethoven quotes from Bach's "Es ist vollbracht" in the third movement. He also uses the Bach melody in the development section of the first movement of his A major Cello Sonata.
He also wrote a piece of his own with the same title as the final part of Friedrich Treischke's Singspiel 'The Triumphal Arches', WoO97.
.Last edited by Michael; 04-15-2012, 01:31 PM.
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Lunchtime listening.
Martin Peerson — The Fall of the Leafe
Performers: Hans-Martin Linde (recorder), Konrad Ragossnig (lute)
Martin Peerson — Quid vobis videtur
Performers: Ex Cathedra Consort, Jeffrey Skidmore (conductor)
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Martin Peerson — Laboravi in gemitu meo
Performers,: Ex Cathedra Consort, Jeffrey Skidmore (conductor)
Martin Peerson — Fantasia “Acquaintance” (G minor) a 6; Almaine (G minor) a 6; Fantasia “Beauty” (G major) a 6; Almaine (G major) a 6
Performers: Fretwork
John Milton — Fantasia 1 a 5 (G minor); Fantasia 4 a 5 (D minor); Fantasia 5 a 5 (A minor)
Performers: Fretwork
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John Milton — In Nomine “If that a sinner’s sighs”
Performers: Fretwork, with Michael Chance (countertenor)
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Martin Peerson — Piper’s Pavan / The Primerose
Performer: Sophie Yates (virginals)
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Martin Peerson — Fantasia (D minor) a 6
Performers: Fretwork‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’
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Right now it's Kempff's rendition of Op 10 no 3 - the piano sonata in D. Doesn't get played enough to be honest, it's a wonderful piece .
Haven't decided which cycle of the sonatas to buy yet, so I'm listening to as many different versions on youtube at the moment. So hard to pick a favourite for the entire set, as different pianists excell at different pieces. What to do
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