Strauss: Befreit op.39/4
Zueignung op.10/1
Morgen op.27/4
Wiegenlied op.41/1
Die ägyptische Helena op. 75: Zweite Brautnacht
Ariadne auf Naxos op.60: Es gibt ein Reich
I described this on some other thread as the "ugly duckling" of the four operatic overtures, but in many ways it's my favourite, even over the illustrious "Leonore No. 3".
Today I listened to Bach's Fourth orchestral suite.
I described this on some other thread as the "ugly duckling" of the four operatic overtures, but in many ways it's my favourite, even over the illustrious "Leonore No. 3".
Today I listened to Bach's Fourth orchestral suite.
I actually heard it on the radio today, but I agree with you, and this is one I put on deliberately pretty often.
Van Gilse: Trio for flute, violin and viola (1927)
Escher: Le Tombeau de Ravel op.24 (1952 rev ’59)
Bruynèl: Serène (flute and sound tracks; 1978) Soft Song (oboe and sound tracks; 1974) Save the Whale (bass-, and contrabass clarinet and sound tracks; 1989) Denk mal das Denkmal (bass baritone and sound tracks; 1984)
Beethoven's Les Adieu piano sonata, played by Pletnev. This was the last serious piece of piano music I was studying before I started taking organ lessons. I was working on the last movement, and pretty much had it down, just needed to get it a little faster. Pletnev plays the last movement incredibly fast here...too fast, it seems to me. A lot of the little moments and joy are lost, I think.
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