Funeral March from Leonore Prohaska WoO96nr4
The incidental music to the tragedy Leonore Prohaska was begun in 1815 and tells the true story of a young woman from Potsdam who disguised herself as a man, took the name of Renz and enlisted with the Volunteer rifles in the wars of liberation, receiving a fatal wound in a skirmish in 1813. Beethoven wrote the music at the request of the poet Johann Duncker, but was himself unenthusiastic about the project. For the funeral march, he re-used the march from his piano sonata Op.26, transposing it into the key of B minor. When it transpired that no performance was to take place after all, Beethoven lost any interest he may have had and abandoned the project. The work consists of 4 numbers - (the first three, brief and lightweight) - Chorus of warriors, Romance, melodrama and the more substantial funeral march.
[YOUTUBE]http://www.youtube.com/watch?v=92EqLh2-lzI[/YOUTUBE]
The incidental music to the tragedy Leonore Prohaska was begun in 1815 and tells the true story of a young woman from Potsdam who disguised herself as a man, took the name of Renz and enlisted with the Volunteer rifles in the wars of liberation, receiving a fatal wound in a skirmish in 1813. Beethoven wrote the music at the request of the poet Johann Duncker, but was himself unenthusiastic about the project. For the funeral march, he re-used the march from his piano sonata Op.26, transposing it into the key of B minor. When it transpired that no performance was to take place after all, Beethoven lost any interest he may have had and abandoned the project. The work consists of 4 numbers - (the first three, brief and lightweight) - Chorus of warriors, Romance, melodrama and the more substantial funeral march.
[YOUTUBE]http://www.youtube.com/watch?v=92EqLh2-lzI[/YOUTUBE]
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