As for the Rondo, I again found it entirely in keeping with its time, and perhaps this movement is the most "juvenile" in the concerto. What I did find surprising were the passages à la hongroise : in B's Ninth the "Turkish" passage is also in B-flat major. Didn't Mozart also write a Turkish March (or two) also in B-flat major?
But again, to conclude, a remarkable assimilation of style by such a young composer.
But again, to conclude, a remarkable assimilation of style by such a young composer.
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