The Beatles were a Tavistock invention. Most of their compositions were done by Theodor Adorno of the Frankfurt School and the 12 tone scale fame.
I came across this comment on a another site and it intrigued me. Presumably this is a reference to the music being programmed to hit certain mental and emotional wave lengths, a la Tavistock techniques. But I didn't know about Adorno being the basis for their compositions.
If rock music appeals to the lower or the simpler instincts to that people could be programmed, then why does that same process not occur in classical music which obviously appeals to the higher functions such as reason, logic and aesthetics.
I came across this comment on a another site and it intrigued me. Presumably this is a reference to the music being programmed to hit certain mental and emotional wave lengths, a la Tavistock techniques. But I didn't know about Adorno being the basis for their compositions.
If rock music appeals to the lower or the simpler instincts to that people could be programmed, then why does that same process not occur in classical music which obviously appeals to the higher functions such as reason, logic and aesthetics.
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