Listening to Bach's Toccata and Fugue in D-min. again and windows media player is on repeat, . For those interested, the recording is the best I have heard. It is on the cd "The Bach Collection" and the conductor and orchestra are "Esa-Pekka Salonen and Los Angeles Philharmonic".
Announcement
Collapse
No announcement yet.
What are you listening to now?
Collapse
This topic is closed.
X
X
-
Today:
New World Records CD The Wind Demon and other 19th Century piano works
An all American programme: Warren, Bristow, Grobe, Hoffman, Hopkins, Heinrich, Gottschalk, Fry, Bartlett, Mason
CD Music for Early Birds An all Dutch programme of piano miniatures from the 19th and 20th Centuries
Van den Bergh, Wulfraat, Mann, Noske, Verhulst, Verheij, Schäfer, de Hartog, Lubeck and Jan Brandts-Buys
Thierry Escaich:
Vertiges de la Croix (2006) (R3: Prehear)
Jonathan Harvey:
Tombeau de Messiaen, for piano and Electronics (1994) (R3: Prehear)
Comment
-
Beethoven's Bonn piano quartets played by the Amadeus Quartet (no less) with Christophi Eschenbach, piano. I never cease to marvel at this work of a fifteen-year old. So what if the opening of Number 1 was swiped from Mozart's G major violin sonata - young Ludwig actually improves it. (Okay, I may be a bit biased here.)
Amazingly, these weren't published until 1828, causing Ferdinand Ries to express doubts about their authenticity - but the existence of the autograph score put a stop to that.
Comment
-
Today:
JSBach:
Deutsche Messe(a concoction of choral preludes followed by the actual chorales in JSB’s harmonisations)
Shostakovich:
Symphony no.3 in E-flat op.20 “May 1st” (1929)
Frankel:
May Day Overture op.22 (1948)
Dufay:
En cest Mois de May
Bax:
Morning Song (– Maytime in Sussex) (1947)
On a May Evening (1918)
Munrow –set The Art of courtly Love (Franco-burgundian music 1300-1475)
Comment
-
Originally posted by Michael View PostBeethoven's Bonn piano quartets played by the Amadeus Quartet (no less) with Christophi Eschenbach, piano. I never cease to marvel at this work of a fifteen-year old. So what if the opening of Number 1 was swiped from Mozart's G major violin sonata - young Ludwig actually improves it. (Okay, I may be a bit biased here.)
Amazingly, these weren't published until 1828, causing Ferdinand Ries to express doubts about their authenticity - but the existence of the autograph score put a stop to that.
Imagine yourself browsing through the papers of a composer you knew very well for a long time. A score emerges of which you didn't know it existed, and the composer hadn't told you ever he had written such a thing. On top of that themes from early works known to you turn up in the score, and the music is relatively below par compared with other pieces of that composer's. What would you think?
And that's exactly what Ries' reaction was .
There might be something else: the three Mozart sonatas (KV 296, 379 and 380 respectively) which Beethoven without any doubt used as structural models, were published as Mozart's opus 2. The piano quartets might have been published by Beethoven at that time as opus 1 or 2 as well (the Kurfürsten-sonaten might have been opus 1). Though there isn't a suggestion this was contemplated, it would have meant that these works immediately would have been compared to Mozart's, possibly something Beethoven wasn't up to at that moment....
Comment
-
Schnabel and Beethoven sonatas
Arthur Schnabel's 30s recording of all Beethoven sonatas. Schnabel is said to have "invented Beethoven". He was one of a group of Jewish virtuosi who came to Australia on tour during 1930s when they became unemployable in Europe and features in my book Beethoven and the Zipper
Comment
-
Originally posted by lorikeet View PostArthur Schnabel's 30s recording of all Beethoven sonatas. Schnabel is said to have "invented Beethoven". He was one of a group of Jewish virtuosi who came to Australia on tour during 1930s when they became unemployable in Europe and features in my book Beethoven and the Zipper'Man know thyself'
Comment
-
Welcome to these boards, Lorikeet!
---------------
Today:
DesPrez:
Some chansons and instrumental pieces from a Seon-2LP-set (Capella antiqua München) i.a.:
El Grillo,
Fortuna d’un gran Tempo
Allégez Moy
La Bernardina
Adieu mes amours
Scamarella
Lutoslawski:
Symphonic Variations (1938)
Postludium no.1 (1958)
Jeux vénétiens (1961)
Ron Ford:
Brandelli (2004)
De Raaff:
Piano Trio (1996 rev 2001)
Comment
-
Hello Lorikeet.
AM. Listening.
Vivaldi
Cessate, omai cessate, RV 684
Sara Mingardo (alto)
Concerto Italiano
Rinaldo Alessandrini (director)
Opus111
Barber
Violin Concerto, Op.14
Isaac Stern (violin)
New York Philharmonic Orchestra
Leonard Bernstein (conductor)
Monteverdi
Magnificat a 7 (Vespers)
The Monteverdi Choir
The English Baroque Soloists
John Eliot Gardiner
Archiv 429 565-2.
.Last edited by Megan; 05-04-2011, 11:35 AM.‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’
Comment
Comment