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    #16
    Today:

    Baird:
    Ouverture giocoso (1952) (R3: TtN)

    Liszt:
    Via Crucis

    Ostrcil:
    Calvary-variations (1928)

    Szymanowski:
    Stabat Mater op.53

    Wagner:
    Parsifal - Karfreitagszauber

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      #17
      Today (Saturday 23 April), 00.47h, as I return from my night excursions : a lone busker near to my flat, playing a recorder (rather well, I must say) : something "modal" in flavour, I have no idea what, I suspect he was improvising. I flipped a couple of coins (what James Ellroy calls "chump change") into his hat. It got me thinking about Euan's "Fingerprints" thread elsewhere on this forum. It clearly was not Beethoven.

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        #18
        Originally posted by Philip View Post
        Today (Saturday 23 April), 00.47h, as I return from my night excursions : a lone busker near to my flat, playing a recorder (rather well, I must say) : something "modal" in flavour, I have no idea what, I suspect he was improvising. I flipped a couple of coins (what James Ellroy calls "chump change") into his hat. It got me thinking about Euan's "Fingerprints" thread elsewhere on this forum. It clearly was not Beethoven.
        Ah, you've recovered from cleaning the kitchen floor then :-)

        Comment


          #19
          Today:

          Martin:
          Maria-triptychon (1968)

          Ibert:
          Golgotha (1935)

          Comment


            #20
            Early music show. BBC radio 3

            BBC Radio 3. The Early Music show.

            Listening now to Handel's Easter Oratorio.

            http://www.bbc.co.uk/programmes/b010gl9v
            Last edited by Megan; 04-24-2011, 01:12 PM.
            ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

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              #21
              Today:

              Foerster:
              Symphony no.4 op.54 “Easter Night” (1905)

              Anonymus (12th C):
              Mass for Easter

              Saxton:
              Music to celebrate the Resurrection of Christ (1988)

              JSBach:
              Oster-Oratorium BWV 249

              Ruppe:
              Muziek voor Paasch-Feest 1797 (Music for Easter 1797)

              And further BBC Four’s Holst documentary

              Comment


                #22
                Originally posted by Roehre View Post
                Today:

                Foerster:
                Symphony no.4 op.54 “Easter Night” (1905)

                Anonymus (12th C):
                Mass for Easter

                Saxton:
                Music to celebrate the Resurrection of Christ (1988)

                JSBach:
                Oster-Oratorium BWV 249

                Ruppe:
                Muziek voor Paasch-Feest 1797 (Music for Easter 1797)

                And further BBC Four’s Holst documentary
                I also stayed up late for the Holst - quite incredible how so much of his music is obscured by The Planets.
                'Man know thyself'

                Comment


                  #23
                  Half-listening to the Classic FM Top 300. Every Easter I can't seem to avoid it. Now playing Tchaikovsky's First PC.

                  Comment


                    #24
                    Today:

                    Poulenc: "Suite francaise" (not sure on the spelling)

                    Marais: Five Old French Dances

                    Comment


                      #25
                      Today:

                      Honegger:
                      Paques à New York H.30 (1920)

                      Bowen:
                      Symphony no.1 in G op.4 (1901) (R3: A03)

                      Ohana:
                      Cris (1968/’69)
                      Messe (concert version, 1977)

                      Englund:
                      Violin concerto (1981)

                      Howells:
                      Sir Patrick Spens op.23 (1917)

                      Escher:
                      Le Tombeau de Ravel (1952)

                      Comment


                        #26
                        Elgar
                        Pomp and Circumstance Military Marches, Op.39
                        London Philharmonic Orchestra
                        Adrian Boult (conductor)
                        EMI 764015-2

                        10.57
                        Bruckner
                        Symphony no.7 in E major (original version): Adagio. Sehr feierlich und sehr langsam
                        Cologne Radio Symphony Orchestra
                        Gunter Wand (conductor)
                        RCA 09026 63937 2

                        11.19
                        Beethoven's Fourth Piano Concerto from Mitsuko Uchida. An interpreter of great depth and versatility, Uchida "embraces the humanism and universalism of Beethoven, his emotional gravity and Olympian intellect, and plays at the peak of her considerable powers." (Financial Times). Indeed it was Uchida's 2008 performance of this work at the Barbican Hall that prompted the review: "Uchida's intelligent and minutely attentive style made for a predictably exemplary solo performance" (The Guardian).

                        Beethoven
                        Piano Concerto no.4 in G, Op.58
                        Mitsuko Uchida (piano)
                        Bavarian Radio Symphony Orchestra
                        Kurt Sanderling (conductor
                        ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

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                          #27
                          I love that Bruckner Adagio, Megan!

                          Today: Prokofiev:
                          Transcriptions of Schubert Waltzes
                          Flute Sonata in D, Op. 94

                          Sibelius:
                          Finlandia

                          Comment


                            #28
                            I am starting to listen to a box set of Bach's Brandenburg Concertos, Orchestral Suites, and other chamber music by the Musica Antiqua Koln/Reinhard Goebel. I have almost everything in here by other other artists, but there are a few things in here of questionable attribution to Bach that I could not find elsewhere, so I thought I'd give it a try. So today it is the Brandenburg Concertos, the "Triple Concerto", and the Orchestral Suites.

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                              #29
                              Just now listening to a new CD which arrived in my post this morning: Beethoven's own arrangement for piano of "The Creatures of Prometheus".
                              Excellent recording by Cyprien Katsaris (described as a world premiere - which may well be the case as I know of only one other recording.)
                              I'm much impressed by the playing and the arrangement.
                              Katsaris has also recorded some of the Liszt arrangements of the symphonies and at the end of this disc there is included a three-minute excerpt from the opening of the Seventh symphony, arranged for piano. I thought it was a "trailer" for the pianist's other recordings until I read the liner notes. I was gobmacked when I realised that the segment was by Beethoven himself - 46 bars of the beginning of the 7th - the only one of the nine to be (partially) transcribed by the composer himself (unless you count the piano trio version of the 2nd).
                              All in all, I am quite pleased with my latest purchase.

                              Comment


                                #30
                                Originally posted by Michael View Post
                                Katsaris has also recorded some of the Liszt arrangements of the symphonies and at the end of this disc there is included a three-minute excerpt from the opening of the Seventh symphony, arranged for piano. I thought it was a "trailer" for the pianist's other recordings until I read the liner notes. I was gobmacked when I realised that the segment was by Beethoven himself - 46 bars of the beginning of the 7th - the only one of the nine to be (partially) transcribed by the composer himself (unless you count the piano trio version of the 2nd).
                                The Beethoven-fragment was first recorded by Hyperion in their complete Liszt-piano-music series as part of one of the CD-sets with Liszt-transcriptions of Beethoven works
                                The score is to be found in the appendix of the new (English) edition of the Hess-catalogue.

                                Btw, this Prometheus (op.24 [!] /Hess 90) is not a CD-premiere. Some 10 years ago it was already played by Stephen Beck on Monument 00.01.99.

                                But both works are surprises indeed.

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