More apocryphal Bach today - motets. I love Bach's authentic motets, though he did not write many. These too are fine works.
BWV Anh. 159 - Previously attributed to Johann Christoph Bach, but it appears that this may actually be an authentic J.S. Bach work
BWV Anh. 160 - This work seems to be part Telemann and part J.S. Bach
BWV Anh. 162 - Actually by Georg Gottfried Wagner
BWV Anh. 163 - Probably by one of Bach's cousins
BWV Anh. 164 - Actually by Johann Christoph Altnickol
BWV Anh. 165 - Actually by Johann Ernst Bach
I am used to hearing these kinds of works with some instrumental support, but in this recording there is none, which makes them sound a bit "less", but also more pure - the bases aren't obscured as sometimes happens when instruments are used.
Today it is the last CPO apocryphal Bach disc - more cantatas.
BWV 15 - Actually composed by Johann Ludwig Bach
BWV 141 - Actually composed by Telemann
BWV 142 - Actual composer unknown, perhaps Johann Kuhnau
BWV 160 - Actually composed by Telemann
I must say, I really love this disc. Fine music and fine performances. This journey through "apocryphal Bach" has been very interesting and enjoyable.
The Anna Magdalena Notebook, performed by Pieter-Jan Belder and Johannette Zomer. I like Belder's harpsichord playing. He doesn't get TOO crazy with rubato and added ornamentation...still a little to much for my taste, though.
Glazunov - symphony no.5. I shall be working through his symphonies (having recently purchased a reasonably priced box set). No.5 is considered the most popular and on a first hearing I regard it as attractive but without much depth. He was a fine orchestrator and a precocious talent in his youth, admired by Rimsky-Korsakov and Tchaikovsky, whose last meal on earth he shared at that infamous Leiner's restauraunt dinner (of which I'm highly sceptical!). Shostakovich and Prokofiev were amongst his pupils.
Interesting pieces playing now on BBC radio3 - Lili Boulanger: D'un soir triste; D'un matin de printemps. Lili Boulanger was the highly gifted younger sister of the renowned teacher Nadia Boulanger. Having been the first women to win the coveted Prix de Rome prize for composition in 1913, she died tragically young at 25.
Also Alice Mary Smith's 2nd symphony in A minor written in 1876 which is very Mendelssohnian! She was the first woman in England to write a symphony
Beethoven: Missa solemnis/ Cantata op.136/ Overtures opp.72, 113, 115, 117, 124/ Fantasy op.80/ Quartets opp.59-3, 74, 133/ Quartet as well as sonata opus 14-1
Brahms: 4 symphonies/ 2 sextets
Kelterborn: Symphony 4/ Canti/ Cello sonata
Leoninus & perotinus: Viderunt omnes as well as works from the Notre Dame School, Ars Antiqua and Ars Nova
Liszt: totentanz/ Concerto 3/ De Profundis
Mahler: Lied vd Erde/ 10 (Barshai realisation)
Nielsen: Symphony 1
Pfitzner: Palestrina-preludes/ Das Herz-Prelude/ Kätchen von Heilbronn-overture
Sibelius: En Saga/ Symphonies 1, 4, 6 and 7/ Violin concerto (1903 and 1905 versions)
Strauss: Alpensinfonie/ Preludes to Capriccio and Guntram
Tchaikovsky: Symphony 1
Wagner/Abbado: Parsifal-suite
Webern: All works for string quartet/ all orchestral works/ the cantatas opp.26, 29, 31
Zbinden: Concerto for orchestra/ Orchalau-concerto/ Oboe-concerto
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