Listening to Emil Gilels playing the "Apassionata". He takes part of the opening movement quite slowly, but I am beginning to think that this is my favourite version of all.
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Originally posted by Michael View PostListening to Emil Gilels playing the "Apassionata". He takes part of the opening movement quite slowly, but I am beginning to think that this is my favourite version of all.
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Originally posted by Philip View PostFurthermore, how is one to define "living without music for 3 or 4 days"? Not hearing the art, or not practicing (in whatever guise) the art? There are days when I "go without music" in any applied sense, but music is around us at all times. Can I go without actually playing music for several days at end? Yes, easily, especially on holiday. I call this sort of journalism "cant" because it reinforces the ridiculous reification of the composer/musician as "aesthete" or "mystic".
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Originally posted by Philip View PostGilels was the first interpreter I ever heard of the "Emperor" concerto, blew my socks off.
Unfortunately I rarely listen to it now as it's quite a palava setting it up on my old stereo and I have to confess to a terrible lack of lp respect as a teenager so consequently my rather large lp collection is almost outdone by as much dust!'Man know thyself'
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Originally posted by Sorrano View PostWelcome back, Roehre!
Listened to Swan of Tuonela (Sibelius). This fit the mood after the Wagner this morning.'Man know thyself'
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Originally posted by Philip View PostFauré. Pelléas. Mélisande. Yàwn, I know. Nah, just kidding with you! Add rélévànt icön.
"Faur‚ "Pell‚as et Boston Sym DG 423089-2 0:20:51
M‚lisande," Op 80 Orch/Seiji Ozawa;"
Apparently, e's and commas got mixed on the title and composer. But no accents, either.
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(... leaping into this thread via my newly invented technique called "upward bathos", given that bathos normally works "top-down") : Eroica, movement 1, bars 275-284, the beginning of that famous "E minor episode", a delicious V7/9 chord that is so poignant it makes me weep. As the weekend is over, I thought it time to get serious.
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Today:
Melartin:
Consolation (1930) (R3: TtN)
JSBach:
Cantatas BWV 90 and 116, for today (Trinity 25)
as well as
Cantatas BWV 106 (Actus tragicus) and 198 (Trauer-ode)
Magnard:
Chant funèbre op.9 (1896)
Coles:
Behind the lines (1918)
Stephan:
Musik für Orchester in einem Satz (1913)
Escher:
Musique pour l'Esprit en Deuil (1943)
Shortall:
Fanfare for those who will not come back
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