Announcement

Collapse
No announcement yet.

What are you listening to now?

Collapse
This topic is closed.
X
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

    #76
    Listening to Emil Gilels playing the "Apassionata". He takes part of the opening movement quite slowly, but I am beginning to think that this is my favourite version of all.

    Comment


      #77
      Originally posted by Michael View Post
      Listening to Emil Gilels playing the "Apassionata". He takes part of the opening movement quite slowly, but I am beginning to think that this is my favourite version of all.
      Gilels was the first interpreter I ever heard of the "Emperor" concerto, blew my socks off.

      Comment


        #78
        Today:

        von Schilings:
        Violin concerto op.25 (1910)

        R.I.P. Gorecki:
        Symphony no.2 "Copernicus" op.31 (1972)

        Comment


          #79
          Originally posted by Philip View Post
          Furthermore, how is one to define "living without music for 3 or 4 days"? Not hearing the art, or not practicing (in whatever guise) the art? There are days when I "go without music" in any applied sense, but music is around us at all times. Can I go without actually playing music for several days at end? Yes, easily, especially on holiday. I call this sort of journalism "cant" because it reinforces the ridiculous reification of the composer/musician as "aesthete" or "mystic".
          Didn't Beethoven write something similar to this in his Heiligenstadt Testament? Perhaps Gorecki's meaning was deeper; should one exclude the music that is "around us at all times" then you can say that one is living without music for 3 or 4 days. It is a matter of willful exclusion than simply abstaining.

          Comment


            #80
            Welcome back, Roehre!

            Listened to Swan of Tuonela (Sibelius). This fit the mood after the Wagner this morning.

            Comment


              #81
              Originally posted by Philip View Post
              Gilels was the first interpreter I ever heard of the "Emperor" concerto, blew my socks off.
              I was wondering what the smell was!
              Seriously, though, he is good at tickling the ivories.

              Comment


                #82
                Originally posted by Philip View Post
                I call this sort of journalism "cant" because it reinforces the ridiculous reification of the composer/musician as "aesthete" or "mystic".
                Is this as in Stephanie Cant, the excellent conductor/composer?
                'Man know thyself'

                Comment


                  #83
                  Originally posted by Philip View Post
                  Gilels was the first interpreter I ever heard of the "Emperor" concerto, blew my socks off.
                  Me too - perhaps you also bought the box set of lps back in the 70's with the Cleveland and Szell? - must have been a special offer!

                  Unfortunately I rarely listen to it now as it's quite a palava setting it up on my old stereo and I have to confess to a terrible lack of lp respect as a teenager so consequently my rather large lp collection is almost outdone by as much dust!
                  'Man know thyself'

                  Comment


                    #84
                    Originally posted by Sorrano View Post
                    Welcome back, Roehre!

                    Listened to Swan of Tuonela (Sibelius). This fit the mood after the Wagner this morning.
                    I'm also listening to Sibelius - symphonies 1 and 4. After watching a documentary on Elgar yesterday, I shall be listening to his wonderful 2nd symphony later today.
                    'Man know thyself'

                    Comment


                      #85
                      This morning was Faure's suite from "Pelleas et Mellisande". That was a nice way to wake up.

                      Comment


                        #86
                        Fauré. Pelléas. Mélisande. Yàwn, I know. Nah, just kidding with you! Add rélévànt icön.

                        Comment


                          #87
                          Originally posted by Philip View Post
                          Fauré. Pelléas. Mélisande. Yàwn, I know. Nah, just kidding with you! Add rélévànt icön.
                          It's just as well you didn't see the listing on the website, but I will be mean and quote it for your displeasure:

                          "Faur‚ "Pell‚as et Boston Sym DG 423089-2 0:20:51
                          M‚lisande," Op 80 Orch/Seiji Ozawa;"

                          Apparently, e's and commas got mixed on the title and composer. But no accents, either.

                          Comment


                            #88
                            Beethoven string trios Op.9.
                            'Man know thyself'

                            Comment


                              #89
                              (... leaping into this thread via my newly invented technique called "upward bathos", given that bathos normally works "top-down") : Eroica, movement 1, bars 275-284, the beginning of that famous "E minor episode", a delicious V7/9 chord that is so poignant it makes me weep. As the weekend is over, I thought it time to get serious.

                              Comment


                                #90
                                Today:

                                Melartin:
                                Consolation (1930) (R3: TtN)

                                JSBach:
                                Cantatas BWV 90 and 116, for today (Trinity 25)
                                as well as
                                Cantatas BWV 106 (Actus tragicus) and 198 (Trauer-ode)

                                Magnard:
                                Chant funèbre op.9 (1896)

                                Coles:
                                Behind the lines (1918)

                                Stephan:
                                Musik für Orchester in einem Satz (1913)

                                Escher:
                                Musique pour l'Esprit en Deuil (1943)

                                Shortall:
                                Fanfare for those who will not come back

                                Comment

                                Working...
                                X