I disagree. I think children, in their innocence, have a far better grasp of the sacred than adults in many cases. Sacredness need not require depth in the sense of complexity.
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Originally posted by Chris View PostI disagree. I think children, in their innocence, have a far better grasp of the sacred than adults in many cases. Sacredness need not require depth in the sense of complexity.
To my mind, to achieve the sacred, it requires much more than innocence- by far. To my mind, it would require things such as- deep understanding, deep thought, much sacrifice of sin, a complete lack of innocence (instead a full and wholesome understanding), etc.
The thought of a child's innocence is a common one. Though, in fact, I believe that because of this innocence (as touching as it may seem) is the very reason people become corrupt- because innocence has no true depth and understanding- innocence is all too easily corrupted, while, the sacred is not. IMO, when compared to the sacred, innocence, is anything but. That is only my opinion, though, .Last edited by Preston; 06-17-2010, 11:22 PM.- I hope, or I could not live. - written by H.G. Wells
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Sometime ago I expressed in this thread that I was not too impressed by the Haydn masses works. Today I can tell you that I very much changed my view since I listened the Nelson Mass conducted by John E. Gardiner. Whow, what a great and powerful work! This CD has changed my view of Haydn and I began to get to know also other Masses from Haydn. And on the same CD I found the Nelson Mass as a whole is sureley the peak of the Masses but there is one passage from the Theresien
Mass which surpasses even the Nelson Mass - the "Qui Tollis" part in the Gloria. This is so great (starting at about 2:52, but here not quite as wonderful as in the Gardiner CD):
http://www.youtube.com/watch?v=f9qFh...eature=related
Gerd
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I haven't read the entire thread, so my response may not be in line. I grew up playing keyboards in a non-liturgical/evangelical type church. I've seen that "Spiritual" music can be as much about the listener as it is about the performer. I have, at times, not played up to my potential during a worship service and people have commented to me that they were "blessed" by my playing on that occasion. I always commit my performances to God - whether in church or the recital hall. So, in the end, I think spiritual music is what you make it. If you're paying attention, it's all spiritual and, consequently, beneficial. Don't pay attention, don't get the spiritual benefit.
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