Isn't there also some sort of "Teutonic" drinking song in Bizet's Carmen? I can't remember.
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Originally posted by Peter View PostI'm not sure if it employs a harpsichord though he was of course very fond of the instrument hence his excellent concerto, written for (or at least played by) the supreme Wanda Landowska.
I'm sorry his music evokes such terrors for you (and I am fully aware of the horrors of the Civil war and the murder of Lorca) but as you mention it was far from the composers mind and of course El Sombrero de Tres Picos predated these events. Personally I think it sad that you should allow those events to cloud your response to the music and I daresay Falla would agree with me.Last edited by Quijote; 06-07-2010, 08:14 PM. Reason: Quick language lesson : "hijo" = son; "puta" = whore, or more colloquially, "bitch"
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Please forgive a short lingusitic deviation, but there is something that always makes me smile when I'm in a German restaurant : the word "pute", which in French is similar to the Spanish "puta", meaning "whore" or "bitch". In German however, "pute" means "turkey" (the meat, not the country, hence the lower-case "t"), so when I read on the menu "Putenbrust mit pommes" (strictly, "turkey breast [or escallop] with chips") I can't help sniggering. Yes, I am infantile.
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Today:
Chopin
Polonaise in A major (Op.40 No.1) arr. for orchestra (R3: TtN)
Tcherepnin:
Symphony no.2 (1947/’51)
Payne:
The Period of Cosmographie (2009) (R3)
(are we absolutely sure that Sibelius didn’t leave us with some sketches for the 8th symphony? )
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Music from the Dutch Republic from the first half of the 17th Century:
Valerius: Nederlandsche Gedenck-Klanck/ Engels malsims (1626)
Vallet: Le Secret des Muses / Fantaisie La mendiante (1615)
Sweelinck: Psalm 42 and Mein junges leben hat ein End
Van Eyck: Doen d’overschoone Maeght
Huygens: Pathodia sacra et profana: 4 Psalms and 5 Italian and French Chansons (1647)
Van Noordt: Tabulatuurboeck/ Psalm 116 (1659)
Verrijt: Flammae Divinae opus 5 (1649)
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Sainte Colombe : Concerts à Deux Violes Esgales; Concert XLIVe : Les Regrets (Tombeau Les Regrets - Quarillon - Les Pleurs - Joye des Elizées - Les Elizées). Wieland Kuijken (Cloggie) and Jordi Savall (Catalan) on authentic 17th/18th-century 7-string bass viols. What a mixture of talent, and what a timbre!
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Originally posted by Bonn1827 View PostThese are works I know next to nothing about. Would you care to tell me about them? I have the Piano Trios by Brahms and a couple of them don't really work for me.'Man know thyself'
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Originally posted by Bonn1827 View PostNo, I don't Peter but I do adore Brahms in general. On my Facebook page somebody recently wrote something about a Boston music critic suggesting "Exit in case of Brahms" by written over one of the doors. I was offended by this.
Try the first sextet in Bb and the first two violin sonatas for starters, I'm sure you'll be hooked! The clarinet sonatas are also glorious music along with the clarinet quintet and the earlier piano quintet - the slow movement is exquisite.'Man know thyself'
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