These are all wonderful works and I don't spend enough time getting to know them better. You've inspired me.
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Originally posted by Philip View PostIn the meantime, listening again to Schoenberg's Pierrot Lunaire, this time with the score (Universal Edition), and marvelling at the writing. I don't know about you, but sitting in front of HiFi speakers detracts from the whole thing. I'd much rather hear this performed live, in some dingy bar in Berlin (or why not Vienna?). In fact any dingy bar, anywhere in the world. With a glass of Absinthe, and the right lighting.
Alban Berg is on the same CD but I think I'll wait until I have a stiff drink in front of me. Absinthe makes the heart grow fonder.
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Originally posted by Michael View PostSpeak of the atonal devil! I have been listening to "Verklarte Nacht", written by Arnie before he became the Terminator and sent music down a blind alley for the next half century.
Alban Berg is on the same CD but I think I'll wait until I have a stiff drink in front of me. Absinthe makes the heart grow fonder.
Schubert, Piano Sonata D665 played by Richter
Everything is as it should be!
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Originally posted by Roehre View PostToday:
Vaughan Williams:
Serenade to Music (1938)
Tcherepnin:
Piano concerto no.4 opus 78 (1947)
Symphony no.4 op.91 (1958/’59)
Piano concerto no.5 opus 96 (1963)
Listening to Gade symphony no.1
Falla - El Amor Brujo'Man know thyself'
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Originally posted by Peter View PostDid the Serenade make a better impression this time Roehre?
But I think the recording offered on this BBC Music magazine CD is rather boring, and still doesn't convince me.
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Originally posted by Michael View PostSpeak of the atonal devil! I have been listening to "Verklarte Nacht", written by Arnie before he became the Terminator and sent music down a blind alley for the next half century.
Alban Berg is on the same CD but I think I'll wait until I have a stiff drink in front of me. Absinthe makes the heart grow fonder.
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Originally posted by Philip View PostOf course, when Michael writes "[...] and sent music down a blind alley for the next half century" he means "and opened up a radically new take on pitch combinations (limited to 12, as with Bach et al) that in effect unifies (or equalizes) musical space in every dimension". His consumption of absinthe had him befuddled there, for a moment.
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I am starting to work my way through Haydn's Baryton music. I have never heard any of this music. For that matter, I have never heard a baryton before, and so far, it's the sound of this instrument that has mainly caught my attention. It's like a baroque cello or viola da gamba in some ways, as you would expect, but those strings on the back give it a very interesting, full sound. The baryton trios are written for baryton, viola, and cello, and I find that it often sounds like a larger ensemble playing.
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Originally posted by Michael View PostOf course, Philip. That was what I was trying to say only the words wouldn't come. Actually, I have nothing against atonal music - I just don't like the sound it makes.
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