Originally posted by Bonn1827
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Today:
Artyomov:
Concert for 13 wind, piano and percussion (1967)
Tristia – “Sad reflections” for trumpet, piano, organ and 45 strings (1983)
(A kind of Penderecki Threnody revisited for strings, a Satie piano and an Ives unanswered question trumpet over some organ chords)
Silvestrov:
Postludium for piano and orchestra (1985)
Baley:
Violin concerto no.1 “Quasi una fantasia” (1987)
Weingartner:
Symphony no.6 in b opus 74 “Tragica” (1928)
[Hofrat: I don't think the symphony's number, key and opusnumber are a coincidence, though the music is referring to Schubert, not Tchaikovsky]Last edited by Roehre; 04-28-2010, 11:37 AM.
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Originally posted by Roehre View PostToday:
Artyomov:
Concert for 13 wind, piano and percussion (1967)
Tristia – “Sad reflections” for trumpet, piano, organ and 45 strings (1983)
(A kind of Penderecki Threnody revisited for strings, a Satie piano and an Ives unanswered question trumpet over some organ chords)
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Today:
Dobrzynski:
Overture from the opera Monbar, czyli Flibustierowie Op.30 [1838] (R3 TtN)
This is what you get crossing Bellini with Von Weber. Enjoyable though.
Barber:
Dover Beach opus 3 (1931)
Hermit Songs opus 29 (1953)
Violinconcerto opus 14 (1940)
Edgar Meyer:
Violinconcerto (1999)
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Listening to some of Beethoven's Irish songs, and in this particular recording, some of the German accents produce a rather hilarious effect.
"But since in vailing zere's nought availing,
Und Fate unfailing must strike ze blow:
Zen for zat reason and for a season,
Ve vill be merry before ve go!"
LOL.
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Originally posted by Chris View PostListening to some of Beethoven's Irish songs, and in this particular recording, some of the German accents produce a rather hilarious effect.
"But since in vailing zere's nought availing,
Und Fate unfailing must strike ze blow:
Zen for zat reason and for a season,
Ve vill be merry before ve go!"
LOL.
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