Listening to Mozart's "Linz" symphony. I think this music is, simply put- sublime.
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Originally posted by Zevy View PostOp.127. 'Have been listening to the complete cycle of quartets recorded by the Guarneri (both sets). I like the analog recording as it is more compressed, so it's more suitable for driving conditions. Great stuff!
The reason you hear so much Baroque (and Mozart) is that the volume level remains more or less the same throughout.
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Originally posted by Preston View PostListening to Mozart's "Linz" symphony. I think this music is, simply put- sublime.
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What are you listening to now?
Manny Ax talking about the Beethoven Piano Concerto No. 5. It has hit Australia a couple of years late...tell me about it!! He is just wonderfully insightful, is Manny. Enjoyed his contribution to "In Search of Beethoven" recently. Did anyone else see that film? What did you think of it?
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During my holiday in Switzerland I listened to (a.o.):
Beethoven:
Missa solemnis/ quartets op.59#3, 74 and 130+133/ Violin sonatas op.47 and 96
Berio:
Sinfonia / Eindrücke
Brahms:
4 symphonies/ violin concerto / double concerto / 2 sextets / Horn trio / clarinet quintet
Kelterborn:
symphony 4/ Nuovi Canti / Cello sonata
Liszt: Piano concerto no.3/ De profundis/ Totentanz (1st and 2nd versions)/ orchestral songs
Madetoja:
Symphony 2/ Kullervo
Mahler:
Lied von der Erde/ Symphony 9 (Walter-VPO 1938 rec)
Music from the Gothic Era (a.o. Perotinus-Leoninus-de la Halle- de Vitry-Machaut a.o.)
Nono:
Stille - An Diotima
Sibelius:
Violin concerto in both the 1903/04 and final versions
Webern:
The Instrumental and orchestral works / 3 cantatas (Boulez DGG)
Zbinden:
“Orchalau”-concerto/ Concerto for orchestra/ Divertimento/ Oboe-concerto
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Originally posted by Bonn1827 View PostManny Ax talking about the Beethoven Piano Concerto No. 5. It has hit Australia a couple of years late...tell me about it!! He is just wonderfully insightful, is Manny. Enjoyed his contribution to "In Search of Beethoven" recently. Did anyone else see that film? What did you think of it?
In Search of Beethoven is generally speaking IMO an excellent production (as is its counterpart In Search of Mozart btw). There are some questionable opinions presented as facts (Norrington e.g. does so, a.o. regarding the Ninth, and Brautigam's contribution must have been cut as his opinions are more balanced than is expressed here), but the level of the information as well as the way it is presented is excellent.
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What are you listening to now?
No, Roehre, I'm not posting on that BBC site. I was interested in your comments regarding Norrington. Yes, I agree, some of his comments were over the top. (He also looked like a refugee from a retirement village in his pyjamas!) What's happened to the man? Brautigam was great, I thought, as was Gian Andrea Noseda when he kissed that score of the "Eroica" after a performance. I could really relate to that!! Look, it was just a joy sitting in a theatre for over two hours hearing people talk about Beethoven.
I've enjoyed reading all the comments and decided to join this site as I'm a Beethoven-aholic. Did you catch "The Soloist", an American film which involves the music of Beethoven? I could have written some of that script myself!! This morning started well with Richter playing Opus 111. That's a hard act to follow, but Kovacevich's "Diabelli Variations", recorded in 2008, is a revelation.
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Originally posted by Bonn1827 View PostDid you catch "The Soloist", an American film which involves the music of Beethoven? I could have written some of that script myself!! This morning started well with Richter playing Opus 111. That's a hard act to follow, but Kovacevich's "Diabelli Variations", recorded in 2008, is a revelation.
As far as these Diabelli are concerned, IMO you should listen to the "old" Kovacevich performance too, as -again IMO- that Philips recorded one (he was still Stephen Bishop by then ) is superior to the 2008 performance.
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Thanks, Roehre, for that advice. Yes, I've read that SB-K's earlier recording of "Diabelli" is also excellent. I do especially remember him as Stephen Bishop because I was working for Australian Broadcasting Corporation (Music Department) in 1972 when he toured Australia and was playing in Sydney. I sat in an airlock of the ABC rehearsal room with a friend and listened to him going through his paces before the concert. My friend later joined him for coffee. I've always been a huge fan because he's not just a great player but highly erudite and intelligent. Saw/heard him play "Diabelli" in Sydney in November last year, hence the recent Onyx purchase. I wasn't familiar with the DV before that concert, unbelievably, but it brought me to my knees. I'm ashamed to say I cried like a baby during the last 3 Variations.
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Originally posted by Roehre View PostDuring my holiday in Switzerland I listened to (a.o.):
Beethoven:
Missa solemnis/ quartets op.59#3, 74 and 130+133/ Violin sonatas op.47 and 96
Berio:
Sinfonia / Eindrücke
Brahms:
4 symphonies/ violin concerto / double concerto / 2 sextets / Horn trio / clarinet quintet
Kelterborn:
symphony 4/ Nuovi Canti / Cello sonata
Liszt: Piano concerto no.3/ De profundis/ Totentanz (1st and 2nd versions)/ orchestral songs
Madetoja:
Symphony 2/ Kullervo
Mahler:
Lied von der Erde/ Symphony 9 (Walter-VPO 1938 rec)
Music from the Gothic Era (a.o. Perotinus-Leoninus-de la Halle- de Vitry-Machaut a.o.)
Nono:
Stille - An Diotima
Sibelius:
Violin concerto in both the 1903/04 and final versions
Webern:
The Instrumental and orchestral works / 3 cantatas (Boulez DGG)
Zbinden:
“Orchalau”-concerto/ Concerto for orchestra/ Divertimento/ Oboe-concerto'Man know thyself'
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