Last night I was able to spend a little time listening: Stravinsky's The Fairy's Kiss (I don't think I spelled that right). I'll be darned if the last two sections did not make me think of Bruckner, particularly the 3rd movement of his 9th Symphony!
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Originally posted by Chris View PostToday I am listening to the Haydn Lieder. I had never heard any of these pieces before, nor did I particuarly think of the Haydn as a composer of lieder, but these are really first-rate. And this recording is my Elly Ameling and Jorg Demus - what more could you ask?
http://www.youtube.com/watch?v=kuGo6...eature=related
http://www.youtube.com/watch?v=oaWdHfpJwbw'Man know thyself'
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First Post
Hey Y'all....
For my first post, I probably should be claiming something Beethoven-ish, however in the interest of truth, I am listening to Schubert's Great C major Symphony. (George Szell, Cleavland) One of my all time favorite pieces of music that I have often said is good for any and all occasions (well... that may be overstating it a bit, but only a little).
With Beethoven's symphonies, I can never listen to them while doing something else, whatever I seem to be doing always seems to grind to a halt as I end up focusing all my attention on the music. Schubert, while certainly not lacking in commensurate intensity and complexity, lets me at least force myself into some additional activity as intended.
(okay.... that was flip, inaccurate and not really all that meaningful of a comment.... but I am sure y'all have some idea of what I mean... or maybe not... actually, I tend to get lost in the Great C Major as well.... then again, if you have to get lost, it's a terrific place in which to be adrift )
---diogenesNYLast edited by diogenesNY; 10-31-2009, 04:06 AM.
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Originally posted by diogenesNY View PostHey Y'all....
For my first post, I probably should be claiming something Beethoven-ish, however in the interest of truth, I am listening to Schubert's Great C major Symphony. (George Szell, Cleavland) One of my all time favorite pieces of music that I have often said is good for any and all occasions (well... that may be overstating it a bit, but only a little).
With Beethoven's symphonies, I can never listen to them while doing something else, whatever I seem to be doing always seems to grind to a halt as I end up focusing all my attention on the music. Schubert, while certainly not lacking in commensurate intensity and complexity, lets me at least force myself into some additional activity as intended.
(okay.... that was flip, inaccurate and not really all that meaningful of a comment.... but I am sure y'all have some idea of what I mean... or maybe not... actually, I tend to get lost in the Great C Major as well.... then again, if you have to get lost, it's a terrific place in which to be adrift )
---diogenesNY'Man know thyself'
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Originally posted by diogenesNY View PostI am listening to Schubert's Great C major Symphony. (George Szell, Cleavland) One of my all time favorite pieces of music that I have often said is good for any and all occasions (well... that may be overstating it a bit, but only a little).
All the best,Zevy
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Originally posted by susanwen View PostToday my PBS station ran Michael Tilson Thomas explaining and playing Berlioz' Symphonie Fantastique. He did a great job, as always. His series is called "Keeping Score." It pops up at odd times - I never know when it will be on next, but it's always worth watching.'Man know thyself'
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Originally posted by susanwen View PostIt pops up at odd times - I never know when it will be on next, but it's always worth watching.- I hope, or I could not live. - written by H.G. Wells
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Originally posted by Zevy View PostI believe Schubert quotes Beethoven's 9th in the Great C Major...
Note that Beethoven 9 iv bars 94-95 are rhytmically identical to the very two opening bars of Schubert 9 i.
There are other allusions too, as S 9 iv 397-401 shows, where oboe (397-398) and oboe + clarinet (399 ff) quote Gö-tter -funken aus -- E.
would be a nice doctoral thesis i think
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I'm a bit Appassionata-obsessed at the moment and today I played Friedrich Gulda's version. He never seems to be mentioned in the same breath as Brendel, Barenboim, et al. but his technique is stunning. I believe he was also a respected jazz pianist. He takes Opus 57 at an alarming speed with apparently the greatest of ease.
Tomorrow, I think I will dig out Gilel's version where the opening movement is played quite slowly.
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