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Long lost Opera, by Antonio Vivaldi

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    Long lost Opera, by Antonio Vivaldi

    Vivaldi work revived 278 years on
    By Rob Cameron
    BBC News, Prague



    Vivaldi wrote dozens of operas


    A long-lost opera by the Italian composer Antonio Vivaldi has been performed for the first time in 278 years, in the city of Prague.

    Argippo was written for the Czech capital and premiered there in 1730.

    But the opera - a tale of "passion, love and trickery" in an Indian maharaja's court - later disappeared without trace.

    Most of the score was discovered in Germany by a young Czech musician who completed the missing parts.

    Libretto clue

    Ondrej Macek is a keen harpsichordist with a passion for tracking down rare music.

    But all he had to go on was the original booklet from the opening night containing the libretto, and the knowledge that the troupe of Italian musicians who first performed Argippo in Prague later moved to Germany.

    "I found out that in 1733, three years after the premiere, the Italian music ensemble appeared in Regensburg. They'd been invited there after the theatre in Prague burnt down," he said.

    "I thought the Italians might have brought something with them, and I was lucky to find an anonymous music collection by various composers, which also included arias from Argippo."

    Only about two-thirds of the score had survived the centuries, and so Mr Macek used other arias from Vivaldi to fit the preserved text.
    ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

    #2
    Thanks Megan, I'm pretty unfamiliar with Vivaldian opera and was reading in the Sunday Times review about a new cd of rediscovered Vivaldi arias (alternative numbers from revised editions of his operas). The music is highly praised and "Tu dormi in tante pene" from Tito Manlio singled out as the highlight.
    'Man know thyself'

    Comment


      #3
      Originally posted by Peter View Post
      Thanks Megan, I'm pretty unfamiliar with Vivaldian opera and was reading in the Sunday Times review about a new cd of rediscovered Vivaldi arias (alternative numbers from revised editions of his operas). The music is highly praised and "Tu dormi in tante pene" from Tito Manlio singled out as the highlight.


      Thank you indeed for that Peter,
      If you allow videos on the forum, I found an extract on youtube, it is exquisite, plangent and plaintive.





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      Last edited by Megan; 05-06-2008, 10:01 AM.
      ‘Roses do not bloom hurriedly; for beauty, like any masterpiece, takes time to blossom.’

      Comment


        #4
        Originally posted by Megan View Post
        Thank you indeed for that Peter,
        If you allow videos on the forum, I found an extract on youtube, it is exquisite, plangent and plaintive.
        I know I shouldn't, but Megan's near-miss at alliteration requires me to rephrase her adjectives.

        Hence : Poignant, plangent and plaintive.

        Actually, stictly speaking my offering is not fully alliterative either.

        Another go : Pleasant, plangent and plaintive.

        That's better. Love Vivaldi, by the way. Wrote some 'cello sonatas too. Freedom for 'cellos, Hofrat !!!! We 'cellos have decided to form a socialist-anarchist commune in the Lower Rhine valley, now that we have been "emancipated" from the drudgery of basso continuo.
        Last edited by Quijote; 07-16-2008, 12:04 PM. Reason: Alliteration

        Comment


          #5
          Originally posted by Philip View Post
          I know I shouldn't, but Megan's near-miss at alliteration requires me to rephrase her adjectives.

          Hence : Poignant, plangent and plaintive.

          Actually, stictly speaking my offering is not fully alliterative either.

          Another go : Pleasant, plangent and plaintiff.

          That's better. Love Vivaldi, by the way. Wrote some 'cello sonatas too. Freedom for 'cellos, Hofrat !!!!
          In speaking of terms and nomenclatures: "near-miss" indicates a hit.

          Comment

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