Listening to Creatures of Prometheus from my new Brilliant Complete Collection. Michael, brilliant indeed! I am listening to track 3, the one with the harp. I had never heard Beethoven's use of the harp before until now. I would say it is the 3rd movement instead of track 3, but I do not know if ballet's have movements?
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Originally posted by Preston View PostListening to Creatures of Prometheus from my new Brilliant Complete Collection. Michael, brilliant indeed! I am listening to track 3, the one with the harp. I had never heard Beethoven's use of the harp before until now. I would say it is the 3rd movement instead of track 3, but I do not know if ballet's have movements?'Man know thyself'
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Originally posted by Preston View PostListening to Creatures of Prometheus from my new Brilliant Complete Collection. Michael, brilliant indeed! I am listening to track 3, the one with the harp. I had never heard Beethoven's use of the harp before until now. I would say it is the 3rd movement instead of track 3, but I do not know if ballet's have movements?
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I'm listening to the Cantata on the Death of Emperor Joseph II WoO 87
from the Sony Collection (Thomas Schippers - New York Philharmonic).
an impressive masterwork: (somewhat mysterious: it seems too mature for a teenager Beethoven and too innovative for Kapellmeister Luchesi!)
I have a problem with the text: in this recording the cantata is sung in latin -
In a book I have found a german text
What is the original one? Are there two versions of this work?
Can you suggest me where I can find on the Web the latin text?
Excuse me for my horrible english
Thank youLast edited by Salvador; 02-02-2008, 06:20 PM.
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Last night I watched a video of Cage's 4'33" performed by a symphony orchestra. (I can only imagine the difficulties in transposing some of the instrumental parts that are not in the key of C!) The work is in 3 movements, which I did not know. In the performance the audience was deathly still during the first movement (one of the announcers afterwards commented on the tension that filled the auditorium during the movements). The pause between the first and second movements were somewhat noisy with coughing and hacking (as between the second and third movements). There were occasional coughs during the second movement and during the third things were a bit quieter, but not like in the first movement.
Interesting.
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Originally posted by Sorrano View PostLast night I watched a video of Cage's 4'33" performed by a symphony orchestra. (I can only imagine the difficulties in transposing some of the instrumental parts that are not in the key of C!) The work is in 3 movements, which I did not know. In the performance the audience was deathly still during the first movement (one of the announcers afterwards commented on the tension that filled the auditorium during the movements). The pause between the first and second movements were somewhat noisy with coughing and hacking (as between the second and third movements). There were occasional coughs during the second movement and during the third things were a bit quieter, but not like in the first movement.
Interesting.
I listened this morning to Beethoven's op.9 trios of which no.3 (again in c minor) struck me as the finest.'Man know thyself'
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Originally posted by Peter View PostI listened this morning to Beethoven's op.9 trios of which no.3 (again in c minor) struck me as the finest.
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Originally posted by Peter View PostThank God it wasn't 1 hour 4'33, though that would be preferable to many works of such duration!
I listened this morning to Beethoven's op.9 trios of which no.3 (again in c minor) struck me as the finest.
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