At long last Beethoven's 3 early sonatas appear to have been recognised and admitted into the 'holy sanctuary' of Beethoven piano sonatas which are presented in a new edition as 'the 35' by the Associated board of the Royal Schools of music. This edition will be launched at London's Wigmore Hall at 11.00 am on Friday 7 December and will be introduced by John Suchet, newscaster and Beethoven devotee, and will feature Barry Cooper talking about his approach to the new edition, with performances by Martin Roscoe and Andrew Aarons on modern and early pianos.
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Originally posted by Peter View PostAt long last Beethoven's 3 early sonatas appear to have been recognised and admitted into the 'holy sanctuary' of Beethoven piano sonatas which are presented in a new edition as 'the 35' by the Associated board of the Royal Schools of music. This edition will be launched at London's Wigmore Hall at 11.00 am on Friday 7 December and will be introduced by John Suchet, newscaster and Beethoven devotee, and will feature Barry Cooper talking about his approach to the new edition, with performances by Martin Roscoe and Andrew Aarons on modern and early pianos.
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I agree with Philip's reservations about Suchet; I suspect he feels a new book coming on.....But also, I disagree with Philip about Cooper; a man who decided it would be a good idea to write a Beethoven symphonic movement, no less! No more need be said on that, but regarding "the 35", how will that work? Numbers 1 - 3 now become 4 - 6?
Nonsense.
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Originally posted by PDG View PostI agree with Philip's reservations about Suchet; I suspect he feels a new book coming on.....But also, I disagree with Philip about Cooper; a man who decided it would be a good idea to write a Beethoven symphonic movement, no less! No more need be said on that, but regarding "the 35", how will that work? Numbers 1 - 3 now become 4 - 6?
Nonsense.
I can't scratch yours though about Dr Cooper, sorry! Look, let's be clear - Cooper's reconstruction of the "Tenth" is no more than that, a reconstruction. Even the term 'reconstruction' is misleading, I grant you. It's not Beethoven, and it never will be. That said, I am grateful to Cooper for giving me an intelligent informed 'guess' at what could have been. I know it sounds terribly 'watered down', but what would you rather have PDG - indeciphrable scribbles on a manuscript, or a 'vague idea' of what LvB had in head at that moment?
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Originally posted by Peter View PostI think you're being a bit elitist about Suchet - whilst I'm no fan of his books, I do admire his genuine enthusiasm for Beethoven.
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I agree Peter, I have respect and enthusiasm for Suchet. He clearly knows his stuff. I feel many 'scholars' have been rather discriminatory and snobby about him.
In fact, he has a new book out, due next summer. The Treasures of Beethoven (Treasures & Experiences). This authoritative and innovative book tells the story of Beethoven's life and works, highlighting some of the most important events by the inclusion of facsimile memorabilia, much of it only available for viewing in museums around Europe. Although not as prolific a composer as Mozart or Haydn, Beethoven's work revealed a passion which rightly led to him being hailed as one of the first romantic composers. "The Treasures of Beethoven" looks at the stories behind the music and celebrates the man who, at one point, became the most famous man in Vienna, with works performed in every concert hall across Europe, and whose compositions have inspired countless generations of musicians since.
Great news about the inclusion of the early sonatas. Long overdue.Fidelio
Must it be.....it must be
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