Over the past few years I have been downloading MIDIs from the “Unheard Beethoven Site”. I have usually avoided any “reconstructions” and tried to stick to the actual Beethoven sketches but I have become very fond of the completed “Erlking”, mainly because of its fantastic melody (which is preserved in full in the sketches) and because I really think it has been “assembled” the way Beethoven himself would have done it.
To hear the sketches and then the reconstruction is like having the pieces of a jigsaw puzzle joined up. There are two versions of the finished song but the one by Zimmer is the one I prefer.
What a surprise it was, then, to discover a “proper” recording, with voice and piano and all the verses on the new Beethoven edition. The lack of notes means that it is not presented as a reconstruction but simply as WoO 131, which in the catalogue, merely refers to the sketches. This should have been made clear, but it is such a splendid recording that I forgive them! They need not have included it at all.
I would urge anyone to listen to the MIDIs if only to hear the gorgeous, scary melody.
(“Unheard Beethoven” under WoO 131 – original and completed version.)
Michael
To hear the sketches and then the reconstruction is like having the pieces of a jigsaw puzzle joined up. There are two versions of the finished song but the one by Zimmer is the one I prefer.
What a surprise it was, then, to discover a “proper” recording, with voice and piano and all the verses on the new Beethoven edition. The lack of notes means that it is not presented as a reconstruction but simply as WoO 131, which in the catalogue, merely refers to the sketches. This should have been made clear, but it is such a splendid recording that I forgive them! They need not have included it at all.
I would urge anyone to listen to the MIDIs if only to hear the gorgeous, scary melody.
(“Unheard Beethoven” under WoO 131 – original and completed version.)
Michael
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