On the Charles Rosen concert thread, reading one of the newspaper reviews of it I posted, I noticed that only two of B.'s sonatas were performed publicly in his lifetime. This would suggest they sold well in score, otherwise why would he have written so many? Is this true? Or were they "art for art's sake?"
And can we assume that most of the amateur pianists (mostly women I assume) who performed them at home were competent enough to play these very difficult works?
And can we assume that most of the amateur pianists (mostly women I assume) who performed them at home were competent enough to play these very difficult works?
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