Hi Preston the 'Contessa Perdona' Act IV starts at the bottom of page 345 (marked Andante).
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Continuing to follow the proms with a very enjoyable performance tonight of Brahms 3rd symphony and Sibelius 5th with the European Youth orchestra - there's something very special I feel about top youth orchestras, the vitality and enthusiasm are palpable and make for a very exciting performance.'Man know thyself'
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Erich Korngold's impressive Sinfonietta written at the incredible age of 14! Surely one of the most remarkable acheivements of one so young and indeed he impressed Mahler, Strauss, Ravel and Sibelius - he of course went onto great fame as a film composer for such classics as Robin Hood (Errol Flynn).'Man know thyself'
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Originally posted by Peter View PostAbsolutely - a terrfic piece but so many performances fail to convey the ethereal last movement. I heard Paul Lewis live a few weeks ago and he left us firmly in our seats on earth - we should have been transported to another world and a far better one at that!
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Magnificent BBC proms concert tonight by the amazing Simón Bolívar Youth Orchestra of Venezuela. http://news.bbc.co.uk/2/hi/americas/4457278.stm'Man know thyself'
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Bruch's Kol Nidrei
More formally
Op. 47, Adagio on Hebrew Melodies for Violoncello and Orchestra.
Apparently, it is suggested that 'In the first bars of Beethoven's C# minor quartet, the opening theme of Kol Nidrei is recognizable.' see reference at
http://www.chazzanut.com/bruch.html
does anyone have any info regarding the possibility that lvb plunked kol nidrei into the C# minor qt (ie. qt 14 - most probably mvt 7)?A Calm Sea and A Prosperous Voyage
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Originally posted by Peter View PostMagnificent BBC proms concert tonight by the amazing Simón Bolívar Youth Orchestra of Venezuela. http://news.bbc.co.uk/2/hi/americas/4457278.stm- I hope, or I could not live. - written by H.G. Wells
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Originally posted by Peter View PostHi Preston - I can understand the appeal of such music (out of the John Williams mould), but this pandering to popular culture just isn't me. It probably sounds terribly pompous, but if I want to listen to good melodic music there are a whole host of composers from the 18th and 19th centuries who have done it so much better. I don't actually hear anything new or individual in this work in the way that we can easily identify the personal qualities of Bach, Beethoven or Wagner - that to me is the mark of a great creator - his own personal voice that sounds like no other.
Best Regards,
PrestonLast edited by Preston; 08-27-2007, 05:25 AM.- I hope, or I could not live. - written by H.G. Wells
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Originally posted by Joy View PostToday via radio Beethoven's Konzertsatz for Violin in C Major, WoO 5.
This is a movement which he created for a concerto early in his career that seldom gets performed nowadays. I wonder what some of think about it??'Man know thyself'
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Originally posted by Peter View PostOnly some 289 bars are Beethoven's - the work was left unfinished and no further sketches exist so it all depends on which completion you heard! The Spanish violinist Joán Manen [1883-1971], produced a version but there's too much changing of the original material. And there's an even earlier completion (minus cadenza) and quite dull by Joseph Hellmesberger. The best is by Wilfried Fischer recorded by Gidon Kremer with a great cadenza by the Japanese violinist Takaya Urakawa.
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