What's everybody reading about Beethoven at the moment? I just found the following at the used book store:
1. "The Life & Works of Beethoven," by John N. Burk, 1st. edition (1943) -- the first half of the book is devoted to B. biography & the second half is devoted to an extensive work-by-work discussion of the symphonies; the piano sonatas; the piano concertos; the string quartets; the songs; chamber music for duo, trio, quintet, sextet, septet, octet; the violin sonatas; the cello sonatas; the songs; the opera, &c.
2. "Memories of Beethoven," Gerhard von Breuning (ed. Maynard Solomon), Cambridge Press (1992, 1995) -- We all know what this is.
I'm looking forward to jumping into these two books. As for the Burk, which might strike some of you as an odd choice to read, I'm on a bit of a kick lately of reading Beethoven bios & analyses from the 1920s, 1930s & 1940s. Certainly a lot of the data are superseded by more current scholarship, but I enjoy reading these authors' views; the American music literati at this particular time were intensely devoted Beethoven idolaters. It's very entertaining charting Beethoven opinion decade by decade, observing it swoop up & down & sometimes heading down little biways. When some Beethoven biographers find a fork in the road, they take it!
1. "The Life & Works of Beethoven," by John N. Burk, 1st. edition (1943) -- the first half of the book is devoted to B. biography & the second half is devoted to an extensive work-by-work discussion of the symphonies; the piano sonatas; the piano concertos; the string quartets; the songs; chamber music for duo, trio, quintet, sextet, septet, octet; the violin sonatas; the cello sonatas; the songs; the opera, &c.
2. "Memories of Beethoven," Gerhard von Breuning (ed. Maynard Solomon), Cambridge Press (1992, 1995) -- We all know what this is.
I'm looking forward to jumping into these two books. As for the Burk, which might strike some of you as an odd choice to read, I'm on a bit of a kick lately of reading Beethoven bios & analyses from the 1920s, 1930s & 1940s. Certainly a lot of the data are superseded by more current scholarship, but I enjoy reading these authors' views; the American music literati at this particular time were intensely devoted Beethoven idolaters. It's very entertaining charting Beethoven opinion decade by decade, observing it swoop up & down & sometimes heading down little biways. When some Beethoven biographers find a fork in the road, they take it!
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