My favorite cycle of Beethoven symphonies is Monteux.
Harvey, I've heard recommendations for this by others and am curious to know: what particularly strikes you about Monteux's interpretation? Is his a Traditional Big Band sound? Obviously, he's not HIP, but wondering is he's like of the Old School: Furtie or Mengelberg?
Speaking of the "Pierres," I recently heard Boulez's take on the Fifth and quite liked it. Much slower than the norm. But carries so much "OOMPH." Don't know if there's any truth to a "French sound" but if this is it than I'm all for it.
Harvey, I've heard recommendations for this by others and am curious to know: what particularly strikes you about Monteux's interpretation? Is his a Traditional Big Band sound? Obviously, he's not HIP, but wondering is he's like of the Old School: Furtie or Mengelberg?
Speaking of the "Pierres," I recently heard Boulez's take on the Fifth and quite liked it. Much slower than the norm. But carries so much "OOMPH." Don't know if there's any truth to a "French sound" but if this is it than I'm all for it.
I am afraid that I am the last person who can put much of a review together other than my ear and brain like it. I do get the feeling that Monteux' Beethoven moves along at a nice pace, not like some of those slower cycles (e.g., Klemperer, Walter). I struggled with finding a cycle that I really liked and after about a dozen, the Monteux was doing the job for me. I will quote from a web site about the Monteux VPO/LSO cycle:
Monteux's Beethoven has been described as visionary. Respect for the spirit of the score, directness of expression, exceptionally well-drilled playing and a sense of untainted idealism that lay at the very heart of the composer's vision – these are the qualities that typify Monteux's interpretation of Beethoven.
I read somewhere that Monteux was not into interpretations, but would conduct the music as written.
The other cycle that I recently came across and like a lot is Schuricht with a Paris orchestra.
Well I don't know if this helps much.
"Life is too short to spend it wandering in the barren Sahara of musical trash."
--Sergei Vasilyevich Rachmaninoff
The other cycle that I recently came across and like a lot is Schuricht with a Paris orchestra...........
The first time I ever heard the Eroica symphony was on a recording by Schuricht and the Paris Conservatoire many years ago.
I remember he took the first movement at a very fast tempo and the french horns (which were actually French) had an unusual sound - more like saxophones.
I have a recording of the "Namensfeier" overture played by another French orchestra and the horns have that same nasal whine - which I actually like.
Unlikely you'll get a response as the post was dated 2006. However I think he meant the 3rd mvt because you'll see in the Zinman recording it lasts twice as long as other recordings. I need to get my speakers working on this PC as I can't hear the youtube version.
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