Originally posted by robert newman:
Dear Peter,
You want me to address specific questions of the sort that you want answering but, at the same time, I am trying to submit a 3 part work on the Bonn Music Archives (1784-1794).
Would it not avoid confusion if I just post my article and then answer (or try to answer) your questions ?
Dear Peter,
You want me to address specific questions of the sort that you want answering but, at the same time, I am trying to submit a 3 part work on the Bonn Music Archives (1784-1794).
Would it not avoid confusion if I just post my article and then answer (or try to answer) your questions ?
Robert I think your next part will raise a whole new load of questions and I am willing to discuss your points (though I expect they will be a repeat - do the names Giacomo Durazzo, Bernhard von Kees, Sammartini, Johann Peter Salomon feature by any chance?).
I am trying to be fair here by going over this whole ground in more detail and therefore I think it only reasonable and far less confusing if we deal with the issues as they arise. I am as keen as you to establish the facts concerning this, but as I said before I am not convinced by the interpretation being put on it by Taboga - the questions I have raised are important and cannot be overlooked if we are going to have a balanced debate since we are unable to see the documents concerned.
I suggest when we have dealt with part 1 you start a new thread for part 2.
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'Man know thyself'
[This message has been edited by Peter (edited 09-13-2006).]
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